Approximate
Condition Profile
MARVEL COMICS · 5/92 · NEWSSTAND
UNIT ECA-005385
THE INCREDIBLE HULK #393
Peter David and Dale Keown continue the gray Hulk/Joe Fixit storyline
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | May 1992 | Modern | Newsstand | — | AVAILABLE |
// Run position
// Condition analysis
Cover shown in a protective sleeve displays vivid, glossy foil-enhanced colors with no visible fading, and corners appear sharp with no significant blunting. No creases, tears, or color-breaking stress lines are evident along the spine in this image, though the sleeve's edge slightly obscures the top edge. Surface gloss appears intact with no scuffing or writing visible. Interior pages and back cover were not assessed, so grade is capped conservatively.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $90 |
// Archive commentary
The Incredible Hulk #393 arrived during Peter David's celebrated run on the title, with Dale Keown providing the interior art in the final stretch before Gary Frank assumed pencilling duties. By this point David had moved the character well beyond the classic green-brute formula, keeping Bruce Banner's Las Vegas enforcer alter ego Joe Fixit and the ongoing psychological fragmentation of Hulk's personalities as the series' central hook. The issue is a representative chapter of that acclaimed creative stretch rather than a landmark single issue in its own right.
Market data shows the book behaving like a typical early-1990s direct-market and newsstand-distributed comic: raw copies in low and mid grades carry little premium above bulk-bin pricing, reflecting large surviving populations and no first-appearance or death-of-character hook to drive demand. The certified market tells a different story at the extreme high end, where CGC 9.8 examples have realized meaningfully more than 9.6 or 9.4 copies, a pattern common to Copper and early Modern Age books where true Gem Mint survivors are disproportionately scarce relative to the raw population, especially for the newsstand variant, which saw lower print runs and rougher handling than direct-edition copies of the same issue.
Collecting interest in this issue centers on completists building a run of Peter David's Hulk and on Dale Keown cover/art collectors rather than speculators chasing a key. Raw copies in any grade below Near Mint trade cheaply and are readily available; the real market action is concentrated at the 9.8 tier, where newsstand scarcity and the steep grade-to-price curve reward patient census-chasers willing to pay a significant multiple over mid-grade material for a top-census slab.
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-005387 | ~9.4 | Newsstand | AVAILABLE |
| ECA-005380 | ~9.2 | Newsstand | AVAILABLE |
| ECA-005385 | ~9.2 | Newsstand | AVAILABLE |
| ECA-005389 | ~9.2 | Newsstand | AVAILABLE |
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