Approximate
Condition Profile
MARVEL COMICS · 3/72
UNIT ECA-005625
THE INCREDIBLE HULK #161
Bronze Age Hulk from the Roy Thomas/Herb Trimpe run, March 1972
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | March 1972 | Bronze | — | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-005623 | ~6.5 | — | AVAILABLE |
| ECA-005625 | ~6.5 | — | AVAILABLE |
// Run position
// Condition analysis
Photo shows the book rotated 90 degrees; cover is in a protective sleeve which adds glare but the underlying paper appears glossy with strong color. Visible wear includes light corner blunting at the top right and bottom left corners, a faint diagonal crease running through the lower right quadrant of the cover, and minor spine stress lines near the top edge. No major tears, color breaks, or staining are apparent, but the plastic sleeve obscures fine detail and the back cover/interior were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $16 | |
| MID_RAW | 4.0 – 6.0 | $39 | |
| HIGH_CERT | 9.8 SLAB | $775 |
// Archive commentary
The Incredible Hulk #161 arrived during Roy Thomas's scripting stint on the title with Herb Trimpe handling art chores, part of the dense, action-driven Bronze Age stretch that carried the series through the early 1970s. The issue sits within a run heavily populated by recurring Hulk rogues and supporting cast drawn from Bruce Banner's orbit, reflecting the title's shift toward continuous, loosely serialized menace-of-the-month storytelling that defined Marvel's monster and superhero books of the period.
Market data shows a typical Bronze Age curve for a non-key issue in a heavily collected series: raw copies in low and mid grade trade for modest, stable sums, while certified high-grade copies command outsized premiums due to census scarcity at the top. The jump from mid-grade raw value into the hundreds at CGC 9.8 reflects both the fragility of early-1970s newsstand paper stock and sustained demand from Hulk-title completists rather than any single landmark event tied to this specific issue.
This book appeals primarily to Hulk run-builders and Bronze Age Marvel collectors assembling complete sets rather than key-issue speculators. Low and mid-grade raw copies move steadily at accessible price points, serving as connective material in longer runs, while CGC 9.8 copies are genuinely scarce on census and trade as condition-census trophies within the title rather than as broad crossover investments. Expect demand to track general Bronze Age Hulk collecting activity rather than independent speculative spikes.
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