THE GREEN HORNET #7

Cover shows sharp corners and clean, unblemished glossy surface with strong color and no visible spine ticks or stress lines from this angle. Edges appear tight with no chips or tears noted, and no creases are visible across the front. Minor handling wear cannot be ruled out at photo resolution, and the back cover and interior pages were not assessed.

NOW Comics launched The Green Hornet in November 1989 as a multigenerational continuity that threaded the pulp radio Hornet, the 1960s television version, and a contemporary successor into one family chronicle. This seventh issue, cover dated March 1990, carries the chapter "Requiem and Rebirth," scripted by Ron Fortier with pencils by Jeff Butler and inks by David Mowry, in which Paul Reid is called home from a concert engagement in Paris after his brother's death and is drawn toward the mantle. Jeff Starling supplies the painted cover, consistent with the fully painted approach NOW used across the title's early run to distinguish it on the stands from mainstream superhero product.

Market profile is that of a mid-run licensed-property book from a second-tier Copper Age publisher: readily available, printed in direct-market quantities that still satisfy present demand, and typically moved in lots rather than as singles. Collector interest in the NOW Green Hornet line concentrates almost entirely on the first issue for its Steranko painted cover and on the Sting of the Green Hornet and Tales of the Green Hornet spin-offs; later numbers trade as run-fill. Demand drivers are narrow but real, coming from Green Hornet completists, Fortier and Butler followers, and buyers assembling the whole 1989-1991 sequence, with occasional lift whenever the property returns to film or television discussion.

Certified copies are scarce because grading economics work against the book, and the practical ceiling is set by what a high-grade slab of a non-key independent title can command rather than by scarcity. Raw copies in low grade are essentially reading material and are best offered in bundles; mid-grade copies clear quickly at run-fill levels; only sharp, square, well-preserved examples with intact painted-cover gloss justify individual listing. For a dealer archive, this is a title-completion book rather than an investment position, and it is most efficiently sold as part of a full-run assembly for the NOW Green Hornet family of titles.