Approximate
Condition Profile
DC COMICS · 10/72
UNIT ECA-002040
THE BRAVE AND THE BOLD #103
Batman teams with Sgt. Rock and Enemy Ace in a Bronze Age war-superhero crossover
// Unit specification
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-002040 | ~5.0 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows moderate wear consistent with a mid-grade Bronze Age book: visible spine stress lines and a small crease near the upper-left staple area, edge wear at corners with slight blunting, and a small dark mark/tear near the bottom-left spine edge. There is some surface sheen loss and minor creasing across the cover, plus what appears to be a small closed tear along the left edge. The book is in a protective sleeve which causes some glare, obscuring finer detail; interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $9 | |
| MID_RAW | 4.0 – 6.0 | $22 | |
| HIGH_CERT | 9.8 SLAB | $125 |
// Archive commentary
The Brave and the Bold #103 (October 1972) pairs Batman with two of DC's war-comics stalwarts, Sgt. Rock and Enemy Ace, in a story scripted by Bob Haney with art by Jim Aparo, who had become the title's defining artist by this point in its run. The team-up format of Brave and the Bold made it a natural home for cross-genre experiments, and this issue is a notable example of DC blending its superhero and war lines under one cover, giving it interest beyond a standard Batman guest-star issue.
Market data shows a shallow, gradual price curve typical of a well-collected but non-key Bronze Age issue: raw and low-grade copies trade for modest sums, while certified mid- and high-grade copies show only incremental gains up through 9.2, the highest grade with recorded sales. The absence of any 9.6 or 9.8 sales on census reflects both the book's relative scarcity in top grade and a demand profile driven by Aparo and Haney completists and Sgt. Rock/Enemy Ace crossover collectors rather than broad key-issue speculation.
This is a book best suited to Bronze Age Batman run-builders, Jim Aparo art collectors, and war-comics crossover specialists rather than investment-grade key buyers. Expect steady but unspectacular movement across grades, with raw copies changing hands cheaply and graded copies commanding a premium mainly for eye appeal and slab convenience rather than any landmark content.
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