THE ATOM #31
Late Silver Age Atom adventure with a Gil Kane cover
// Unit specification
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-001812 | ~6.0 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows moderate wear consistent with a Silver Age book: soft rounded corners, some edge wear along the top and right border with minor color chipping in the checkerboard border, and a faint crease near the top left near the DC logo. Slight surface sheen loss and light handling wear are visible, though colors remain bright and the cover is glossy overall. Book is in a protective sleeve, which may obscure minor spine stress; interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $9 | |
| MID_RAW | 4.0 – 6.0 | $16 | |
| HIGH_CERT | 9.8 SLAB | $400 |
// Archive commentary
The Atom #31 arrived in July 1967, during the tail end of Ray Palmer's solo Silver Age run before the title merged with Hawkman in 1968. Gardner Fox, the character's principal scripter throughout the era, is credited with the era's typical blend of scientific whimsy and tight plotting, while Gil Kane's pencils and cover work define the visual identity of the book, as they do for most of the series' 39-issue run. No first appearance, origin, or death is associated with this issue, and it is not cited as a key by standard price guides.
Market data shows a shallow, well-populated census of 73 Universal copies across 75 total graded, with sales activity concentrated in the 7.5 through 9.6 range and a thin tail at the bottom of the grading scale. Pricing rises gradually through the mid grades before accelerating past 9.0, a pattern typical of a modestly collected back-half Silver Age issue where demand is driven primarily by series completists and Gil Kane cover collectors rather than character-key buyers. No 9.8 copies have traded, meaning top-end pricing reflects the scarcity premium of a five-copy pinnacle grade rather than realized sales.
This is a book for Atom-run collectors and Gil Kane art enthusiasts building out a complete Silver Age set rather than speculators chasing a marquee key. Lower and mid-grade raw copies move steadily but inexpensively, consistent with reading/collection-filler demand, while high-grade certified copies command a real premium due to the flat top of the census. Expect slow but stable turnover across all grade bands, with the top of the market thin enough that a single well-timed 9.8 sale could reset expectations for the grade.
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