TALES TO ASTONISH #92

Cover shows moderate wear with rounded and slightly frayed corners, notably at the top left and bottom left. There are small edge chips along the top and right edges, and light spine stress visible with a faint tick near the top of the spine. Colors remain bright and inks are glossy, with no major creases, tears, or stains observed on the front cover; interior and back cover were not assessed. The book is in a protective sleeve which slightly obscures fine edge detail.

Tales to Astonish #92 (Marvel Comics, June 1967) arrived during the title's run as a dual-feature anthology pairing Prince Namor the Sub-Mariner with the Hulk, a format that let Marvel showcase two of its rising Silver Age properties in a single issue. The Sub-Mariner segment was scripted by Stan Lee with art by Gene Colan, whose fluid, moody linework became closely associated with Namor's undersea adventures during this stretch of the series; the Hulk backup, drawn by Marie Severin from a Gary Friedrich script, continued the brutish, fast-moving action that defined the character's own solo push toward a self-titled book the following year. The issue carries no first appearance or origin story, and its significance rests instead on its place within a well-regarded run of Silver Age Marvel co-features rather than on any single landmark event.

The certified population is substantial, with 322 CGC Universal copies recorded across the grading spectrum, and pricing climbs sharply once books clear the 9.0 threshold. Mid-grade copies (4.0 to 6.0) have settled into a narrow band in the mid-thirty-dollar range, reflecting steady but unspectacular demand typical of a non-key Silver Age issue, while values accelerate markedly from 9.2 upward, with 9.6 copies trading around $600. The scarcity at the very top of the census, only a handful of 9.8s with essentially no recorded sales, points to a thin, illiquid high-grade market where a confirmed 9.8 transaction would likely command a substantial premium over the last solid comp.

This issue draws its buyers primarily from Sub-Mariner and Hulk run collectors assembling complete sets of Tales to Astonish, along with Gene Colan and Marie Severin art enthusiasts rather than speculative key-issue investors. Lower and mid-grade copies remain accessible entry points for readers and set-builders, trading in a tight, predictable range, while a true Gem Mint 9.8 would sit in a rarified, thinly traded tier where price is set less by comparable sales and more by what a determined completist is willing to pay to top the census.