Approximate
Condition Profile
MARVEL COMICS · 3/65
UNIT ECA-035385
TALES TO ASTONISH #65
First appearance of Hank Pym as Goliath, with a Jack Kirby cover and a Gene Colan Sub-Mariner backup
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | March 1965 | Silver | — | First appearance of Hank Pym as Goliath; Jack Kirby cover; Sub-Mariner backup by Gene Colan (credited as Adam Austin) | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-035385 | ~6.0 | — | AVAILABLE |
| ECA-005439 | ~4.5 | — | AVAILABLE |
| ECA-005441 | ~3.5 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows notable aging with tanning/yellowing to the white background areas, particularly visible along the edges and spine. There is visible spine wear with some minor stress lines, and the top edge shows slight wear consistent with handling. The cover is in a protective sleeve with some scattered surface creasing visible near the top corner. No major tears, color breaks, or missing pieces are visible, but the overall paper tone suggests age-related toning typical of a mid-grade Silver Age book. Interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $18 | |
| MID_RAW | 4.0 – 6.0 | $49 | |
| HIGH_CERT | 9.8 SLAB | $3,900 |
// Archive commentary
Tales to Astonish #65 (March 1965) marks the debut of Hank Pym's third superheroic identity, Goliath, following his runs as Ant-Man and Giant-Man. Scripted by Stan Lee with a cover by Jack Kirby and interior art credited to Bob Powell, the issue finds Pym adopting the growth-based Goliath persona alongside the Wasp, a costume-and-power shift that would carry him through the remainder of his Tales to Astonish tenure and into the Avengers. The issue also carries a Sub-Mariner backup drawn by Gene Colan under the pseudonym Adam Austin, adding a secondary point of interest for Silver Age Marvel completists.
The FMV curve reflects sustained collector demand typical of a recognized Silver Age first-appearance issue: mid-grade copies trade in the modest double digits, but values accelerate sharply above 9.0, with 9.4 copies averaging several hundred dollars and 9.6 copies breaking into four figures on a thin population of nine census copies and three recorded sales. That steep grade-to-price slope, combined with a census top of only two 9.8s and just a single recorded transaction at that grade, points to meaningful scarcity pressure at the summit of the census and a corresponding premium for any copy that could clear that bar.
This is a book bought primarily by Marvel Silver Age specialists and Avengers-adjacent key collectors rather than casual buyers of average Giant-Man/Goliath-era issues, and its trading pattern mirrors many similar transitional-identity keys: broad, affordable availability through mid-grade, with values climbing steeply and unevenly as certified grade rises toward the top of the census. Given the low 9.8 population, top-end examples should be expected to command outsized premiums relative to 9.4-9.6 comps whenever they do surface at auction.
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