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Tales to Astonish #61 front cover
~6.0 AI-Estimated
Approximate
Condition Profile
TALES TO ASTONISH #61
MARVEL COMICS · 11/64
UNIT ECA-005459

TALES TO ASTONISH #61

1st appearance of Boomerang in a Hulk/Sub-Mariner split-book issue

Key Issue SIG 7/10 Available

// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics November 1964 Silver 1st appearance of Boomerang (Fred Myers) in the Hulk feature; Jack Kirby cover art; part of the Hulk/Sub-Mariner split-book era of Tales to Astonish AVAILABLE

// Run position

Part of an unbroken run · #54–#63 · 10 issues View all 38 available issues of TALES TO ASTONISH →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows moderate wear consistent with a mid-1960s Silver Age book: visible spine stress with slight ticking near the top, some minor surface scuffing and gloss loss especially in the upper left logo area, and a faint vertical crease near the left edge. Corners appear reasonably sharp with only slight blunting, and there's a small ink mark near 'GIANT-MAN' logo. The book is protected in a plastic sleeve which creates some glare, obscuring finer surface detail; interior pages and back cover were not assessed.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $22
MID_RAW 4.0 – 6.0 $56
HIGH_CERT 9.8 SLAB $4,200

// Archive commentary

Tales to Astonish #61 arrived during the title's split-feature era, pairing a Hulk story with a Sub-Mariner adventure under a single cover. Scripted by Stan Lee with Jack Kirby providing the cover and Hulk pencils, the issue is best remembered today for introducing Fred Myers, the sharpshooting mercenary who would become Boomerang, in the Hulk half of the book. The character's debut here has made the issue a recognized addition point for Marvel villain-origin collectors, distinct from the more famous Giant-Man-era issues of the same series.

Market data shows a wide, well-populated census across mid and high grades, with pricing that stays relatively flat through the 4.0-6.0 range before accelerating sharply above 8.0 and again above 9.2. That shape is typical of a book whose demand is driven less by casual completism and more by targeted key-issue and character-origin buyers willing to pay a premium for top-end certified copies while mid-grade readers' copies remain accessibly priced. The scarcity of 9.6 and 9.8 certified examples relative to the overall 271-copy Universal census amplifies this effect at the top of the grade curve.

The book suits collectors building Marvel villain first-appearance runs, Hulk rogues-gallery sets, or general Silver Age Marvel key runs, rather than pure Kirby cover-art buyers, since the Boomerang debut is the primary draw rather than the cover image itself. Low- and mid-grade copies trade steadily as affordable entry points into the key, while high-grade certified copies are thin enough on census that a fresh 9.6 or 9.8 to market tends to draw active bidding among specialists rather than settling at a static price point.

// Copies in archive

UnitGradeVariantStatus
ECA-005459 ~6.0 AVAILABLE

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