Approximate
Condition Profile
MARVEL COMICS · 6/66
UNIT ECA-013603
TALES OF SUSPENSE #78
Iron Man and Captain America share the spotlight in this mid-1966 Marvel split book
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | June 1966 | Silver | — | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-013603 | ~6.5 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows moderate wear consistent with a mid-grade Silver Age book: visible spine stress lines and slight fraying near the top and bottom of the spine, mild corner softness at the top left and bottom right, and light surface soiling/discoloration especially along the left edge. There is a small amount of edge wear but no major tears, missing pieces, or color breaks noted. The book is in a protective sleeve which limits full assessment of gloss and surface texture; interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $10 | |
| MID_RAW | 4.0 – 6.0 | $20 | |
| HIGH_CERT | 9.8 SLAB | $1,500 |
// Archive commentary
Tales of Suspense #78 arrived in the summer of 1966 as part of the dual-feature format that had defined the title since the late 1950s, pairing an Iron Man adventure with a Captain America backup. By this point in the run, Stan Lee was scripting both features, with Gene Colan handling the Iron Man art under his "Adam Austin" pseudonym and Jack Kirby providing the Captain America pencils, giving the issue a strong pedigree of Silver Age Marvel talent even without a landmark first appearance driving demand.
The issue's market profile reflects its status as a well-collected but non-key chapter in a popular split-book run: certified population is substantial at 269 Universal copies across the census, and pricing climbs steeply only in the top few grades, with high-grade copies (9.4 and above) commanding a real premium over the bulk of the curve that sits in the $16–$85 range through most of the grading spectrum. Demand is driven primarily by Iron Man and Captain America completists building out their runs of Tales of Suspense rather than by any single iconic cover or first appearance, which keeps mid- and low-grade copies affordable and liquid.
This is a book that trades steadily rather than spectacularly: raw copies in low and mid grades move as filler for run-builders and dealers stocking Silver Age Marvel boxes, while true high-grade certified copies (9.4 and up) see meaningfully sharper competition given the scarcity of pristine survivors from a title that saw heavy handling. Absent a 9.8 on the current census, a copy achieving that grade would likely draw outsized collector interest as a condition-census entry, but for most buyers this issue is valued as a solid, attractively priced representative of peak Lee-Kirby-Colan era Marvel rather than as a speculative key.
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