Approximate
Condition Profile
DC COMICS · 9/64
UNIT ECA-023891
SUPERMAN’S PAL JIMMY OLSEN #79
A routine Silver Age Jimmy Olsen issue with an outsized 9.8 value driven by extreme high-grade scarcity
// Unit specification
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-023891 | ~4.0 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows moderate wear consistent with a mid-grade Silver Age book: visible corner softening at top left and bottom corners, a faint vertical crease running through the lower left portion of the cover, and general handling wear along the edges. There is slight discoloration/soiling in the white background areas and the spine shows some minor stress but no major color break visible in this photo. The book is in a protective sleeve which limits full assessment of edge chipping; interior pages and back cover were not visible for assessment.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $8 | |
| MID_RAW | 4.0 – 6.0 | $18 | |
| HIGH_CERT | 9.8 SLAB | $1,600 |
// Archive commentary
Superman's Pal Jimmy Olsen #79 (DC Comics, September 1964) is a standard entry in the long-running Silver Age humor-adventure title built around Superman's bumbling but resourceful photographer sidekick. The series during this period was overseen by editor Mort Weisinger and typically featured stories from writers such as Otto Binder with pencils by the era's dominant Superman-family artist, Curt Swan, whose clean, expressive style defined the look of the Superman titles throughout the 1960s. The issue carries no recognized first appearance, death, or landmark creative milestone, and is best understood as a representative example of the title's whimsical transformation-and-mystery plots that made Jimmy Olsen a reliable seller for DC in the period.
The market for this issue is thin and top-heavy. Census population is small across the board, with only a single copy certified at 9.8 and a modest handful at 9.6 and 9.4, and pricing climbs steeply as grade increases even though sales volume at any given grade is minimal. Demand is almost entirely condition-driven: buyers chasing a top census slot have pushed the 9.8 price well above what the book commands in the mid and lower grades, where sales are infrequent and values modest. There is no key-issue premium at work here; the pricing curve reflects rarity in high grade rather than character or story significance.
This book suits Silver Age Superman-family completists and census-chasers rather than character-first key collectors. Raw copies in low and mid grade trade as inexpensive filler for run-builders assembling the Jimmy Olsen series, while the 9.8 slot draws targeted competition from the small pool of collectors pursuing top-of-census Superman-family books. Because sales data thins out sharply above 9.4, pricing at the very top of the grade scale should be treated as sensitive to the next transaction rather than a stable benchmark.
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