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Suicide Squad #59 front cover
~9.2 AI-Estimated
Approximate
Condition Profile
SUICIDE SQUAD #59
DC COMICS · 11/91
UNIT ECA-001664

SUICIDE SQUAD #59

Late-run Ostrander and Yale Suicide Squad opening the storyline collected as The Final Mission, with cover and interior art by Geof Isherwood

SIG 3/10 Available

// Unit specification

PublisherCover dateEraVariantKey attributeStatus
DC Comics November 1991 Copper AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-001664 ~9.2 AVAILABLE

// Run position

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows sharp corners and clean bright colors with no visible creases, tears, or spine stress. There is a slight glare/reflection from the protective sleeve obscuring some fine detail, but no obvious wear is apparent through it. The book is currently housed in a plastic sleeve, which itself appears clean. Interior and back cover were not assessed.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal · no market comps found — era-based estimate
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $2
MID_RAW 4.0 – 6.0 $4
HIGH_CERT 9.8 SLAB $70

// Archive commentary

Suicide Squad #59 falls near the end of John Ostrander's five-year run on the title, written with Kim Yale and drawn by Geof Isherwood, who supplies both cover and interiors with inks by Robert Campanella, color by Tom McCraw, and lettering by Todd Klein. The issue opens the final long arc of the series, the material later gathered as The Final Mission, in which Amanda Waller's Task Force X becomes entangled with the Israeli metahuman team the Hayoth and with the fallout of the Qurac storyline, drawing scrutiny from the wider DC Universe. It carries no first appearance or origin, but it sits at a structural hinge in a run that collectors pursue as a complete story rather than as a set of isolated issues.

Market activity for this issue is almost entirely raw and almost entirely run-driven. Late-run Suicide Squad vol. 1 books surface regularly on eBay and in dealer back-issue stock, typically as singles at nominal prices or bundled into #50s-to-#66 lots, and the title's keys absorb nearly all the certified attention: #1, #23 for the Oracle cameo, and the earliest Waller-era appearances. Census depth for issues in the #50s is negligible, which means high-grade certified examples trade less on collector demand than on grading economics, and any premium reflects scarcity of slabs rather than pressure from buyers seeking this specific number.

Buyers are principally run collectors completing the 1987-1992 series, Ostrander readers working toward the concluding arc, and dealers assembling Suicide Squad sets to sell into the character's steady media-driven visibility. In low grade the book functions as filler and moves best inside lots; mid-grade copies clear readily and cheaply, since supply of clean 1991 newsstand-era DC is ample; and the only meaningful spread appears at the top of the grade scale, where a registry-minded completist may pay well above raw levels simply because certified copies rarely come to market. Expect flat, patient trading rather than momentum.

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