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Strange Tales #151 front cover

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~6.5 AI-Estimated
Approximate
Condition Profile
STRANGE TALES #151
MARVEL COMICS · 12/67
UNIT ECA-037712

STRANGE TALES #151

Nick Fury, Agent of S.H.I.E.L.D. gains Jim Steranko as artist, backed by a Doctor Strange feature

Key Issue SIG 5/10 Available

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// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics December 1967 Silver — Jim Steranko begins his influential art run on Nick Fury, Agent of S.H.I.E.L.D., a widely cited turning point in the feature's Silver Age history AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-037712 ~6.5 — AVAILABLE

// Run position

Part of an unbroken run · #144–#168 · 25 issues View all 66 available issues of STRANGE TALES →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows good gloss and bright colors with sharp corners overall; slight edge wear is visible along the top and right edge, and there is minor waviness/staining near the top right corner (possibly moisture-related). Spine appears mostly tight with no major color breaks visible, though a small crease is faintly visible near the bottom left corner. The book is in a protective sleeve which slightly obscures fine surface detail; interior and back cover were not assessed.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $12
MID_RAW 4.0 – 6.0 $21
HIGH_CERT 9.8 SLAB $950

// Archive commentary

Strange Tales #151 (December 1967) arrived as Marvel's split-feature Silver Age anthology neared the end of its run, pairing a Doctor Strange sorcery tale with the espionage adventures of Nick Fury, Agent of S.H.I.E.L.D. The issue is chiefly remembered for Jim Steranko assuming full art duties on the Fury strip, a transition that redirected the feature toward the collage-influenced, cinematic page design that would define his celebrated run through the high 150s and into Nick Fury's own title. Stan Lee remained the credited writer across both stories, giving the book a bridge position between Kirby's earlier S.H.I.E.L.D. work and Steranko's more radical visual experiments to come.

Market data shows a large certified population (274 Universal copies within a 424-count census) with steady transaction volume at nearly every grade, indicating a book that trades routinely rather than sporadically. Values climb gradually through the mid grades before accelerating sharply from 9.2 to 9.4, a pattern consistent with late-Silver-Age Marvel anthology books where high-grade survivors thin out quickly relative to raw and mid-grade supply. Demand centers on Steranko completists and Nick Fury collectors rather than Doctor Strange buyers, whose attention is drawn more to earlier issues in the same title.

As a solid but non-key entry in a historically important art transition, Strange Tales #151 functions as an accessible entry point for collectors building a Steranko run without the premium attached to his signature covers a few issues later. Lower and mid-grade raw copies move steadily among run-builders and reading collectors, while top-census CGC 9.8 examples remain effectively unavailable in the open market, positioning any future 9.8 sale as a rarity-driven event rather than a benchmark of established demand.

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