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Strange Suspense Stories #5 front cover
~6.0 AI-Estimated
Approximate
Condition Profile
STRANGE SUSPENSE STORIES #5
CHARLTON COMICS · 1/68
UNIT ECA-001197

STRANGE SUSPENSE STORIES #5

Silver Age Charlton supernatural-suspense anthology, volume 2 issue

SIG 3/10 Available

// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Charlton Comics January 1968 Silver AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-001197 ~6.0 AVAILABLE

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Image is rotated 90 degrees; cover shows moderate wear consistent with a mid-grade Silver Age Charlton book: soft corners, some edge wear along the top and bottom borders, and a faint crease line visible near the spine area. Colors remain bright with no visible fading or staining, and there is no evident tearing or missing paper. Interior and back cover were not assessed, so overall grade could shift once those are examined.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $10
MID_RAW 4.0 – 6.0 $34
HIGH_CERT 9.8 SLAB $450

// Archive commentary

Strange Suspense Stories was one of Charlton Comics' long-running mystery and suspense anthology titles, and this January 1968 issue belongs to the revived volume-two run that carried the classic Charlton house style of short supernatural and science-fiction shockers into the late Silver Age. Charlton operated as a low-budget publisher out of Derby, Connecticut, and its anthology books traded on quick, twist-ending horror and sci-fi vignettes rather than recurring characters, giving the line a distinct pulpy flavor that collectors of the era prize. As a self-contained issue with no first appearance or origin, its interest rests on its era, its publisher, and the enduring appeal of Charlton's atmospheric anthology output.

Surviving population data is sparse, which is typical for Charlton books of this period: print runs were large but distribution was uneven and the cheap paper stock discourages high-grade survival. The certified census shows only a handful of copies at any grade, with the top tiers represented by single slabs, so market signals come from isolated transactions rather than a deep trading history. High-grade examples carry a meaningful premium precisely because clean copies are scarce, while mid-grade and lower copies remain affordable and change hands infrequently.

This is a collector's book rather than an investment key, appealing primarily to Charlton completists, Silver Age anthology enthusiasts, and horror-mystery genre specialists filling run gaps. Raw copies dominate the market and trade modestly across the mid and lower grades, while the rare certified high-grade slab is the province of a small pool of buyers willing to pay up for condition rarity. Expect thin, opportunistic trading rather than steady liquidity, with pricing driven more by availability than by demand spikes.

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