STAR WARS: STARFIGHTER – CROSSBONES #3

Cover shows sharp corners, glossy unbroken surface, and strong color with no visible fading. No spine ticks or stress lines are apparent, and the book appears to be in a protective sleeve. Interior and back cover were not assessed, so grade is based solely on the visible front cover.

Star Wars: Starfighter – Crossbones #3 closes out a three-issue Dark Horse miniseries published in early 2002, expanding on the Nym character introduced in LucasArts' Star Wars: Starfighter video game. The story follows Nym and his band of mercenary pilots, including Jannik, Jinkins, Kole, and Sol Sixxa, during the Clone Wars era. Interior art comes from penciler Ramon Bachs with inks by Raul Fernandez and colors by Brad Anderson, while the cover is credited to the team of J.H. Williams III, Mick Gray, and Jeromy Cox, with Dave Land and Philip Ray Simon serving as editors. The book sits within Dark Horse's broader run of Star Wars licensed titles from the pre-prequel-trilogy expanded universe, a period thick with tie-in miniseries built around video games, novels, and secondary characters rather than the film leads.

This is a niche tie-in issue with no first appearances of note to the wider Star Wars mythos and no distinguishing cover moment that has drawn sustained collector attention. It trades essentially at or near cover price in raw form, consistent with the broad glut of early-2000s Dark Horse Star Wars minis that filled newsstands and direct-market bins without building lasting secondary-market demand. Interest in the issue is largely tied to completists of the Starfighter game tie-in and Nym-focused stories rather than any recognized key status.

Collectors of this book are typically Star Wars expanded-universe completists, Dark Horse licensed-title runs collectors, or buyers assembling the short Crossbones arc as a set. Raw copies move cheaply and inconsistently, reflecting the character's niche standing outside the mainline films; higher-grade certified copies see modest premiums mainly due to the natural scarcity of well-preserved newsstand copies from a low-attention series, not because of underlying character or story demand.