Approximate
Condition Profile
DARK HORSE COMICS · 4/02 · DIRECT EDITION
UNIT ECA-010476
STAR WARS: EPISODE II – ATTACK OF THE CLONES #2
Dark Horse's Attack of the Clones movie adaptation continues, direct edition
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Dark Horse Comics | April 2002 | Modern | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-010476 | ~9.0 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and vibrant color with sharp corners and no visible creases or spine stress from this angle. The book is protected in a plastic sleeve, which limits full assessment of edges. No fading, tears, or writing is visible on the front cover; interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $1 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $80 |
// Archive commentary
Star Wars: Episode II – Attack of the Clones #2 is part of Dark Horse Comics' direct-market adaptation of the 2002 film, scripting the middle chapters of the prequel's plot with a creative team led by writer Henry Gilroy and penciler Jan Duursema, both veterans of Dark Horse's extensive Star Wars line. The issue does not introduce characters or concepts beyond what the film itself established, functioning as a licensed tie-in rather than an originating work, and it carries no first-appearance or origin significance within the broader Star Wars comics continuity.
Market data reflects a low-print, low-demand modern comic: census figures show a modest but not scarce number of graded copies, and FMV climbs only gradually from grade 9.0 to 9.6 before a wide gap to 9.8, where recorded sales have ranged well above current FMV in the trailing year. This pattern is consistent with speculative grading activity on a niche movie-adaptation title rather than sustained collector demand, meaning pricing at the top end is driven more by scarcity of submissions than by broad market interest.
This book appeals chiefly to Star Wars completists and adaptation-comic specialists building out Dark Horse's prequel-era output, rather than to key-issue investors. Raw copies in low and mid grades trade cheaply and are readily available, while CGC 9.8 examples command a real premium purely due to the small number graded at that level; buyers seeking this issue should expect a wide gap between raw and top-census certified pricing but limited movement in the middle of the grading scale.
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