STAR TREK #2

Cover shows strong gloss and sharp corners with no visible creases or color breaks. Slight surface glare from the protective sleeve obscures fine detail assessment. Spine appears tight with no visible stress lines or ticks. Interior and back cover were not assessed, and the book is currently housed in a plastic sleeve.

Star Trek #2 is the second chapter of Marvel Comics' three-part adaptation of Star Trek: The Motion Picture, scripted by Marv Wolfman with art by Dave Cockrum and Klaus Janson, launching the publisher's first ongoing Star Trek series in the wake of the 1979 film's theatrical release. The issue continues the Enterprise crew's investigation of the V'Ger cloud, translating the film's midsection into Cockrum's kinetic layouts, but it carries none of the historical weight of a first appearance or origin story; it is a licensed movie tie-in mid-chapter rather than a landmark comic in its own right.

Demand for the book is modest and steady rather than speculative, driven by Star Trek franchise collectors completing the 18-issue Marvel run and by Bronze Age readers assembling Cockrum's bibliography. Raw copies move in quantity at conventions and online in low-to-mid grade with little price movement year over year, reflecting the large original print run and the absence of any first-appearance or death-of-character hook. The CGC 9.8 tier trades at a real premium relative to raw material, less because of storyline significance than because high-grade survivors of newsstand-distributed Bronze Age comics are genuinely scarce, having been subjected to spinner-rack wear and non-returnable handling that direct-market copies avoided.

The book's natural buyers are Star Trek completists, Bronze Age Marvel specialists, and Cockrum/Janson art collectors rather than key-issue investors, and it should be catalogued and priced accordingly. Raw copies in low and mid grade will move steadily at bin-book prices with minimal grade sensitivity, while a certified 9.8 newsstand slab is a legitimate niche item whose value rests on census scarcity rather than narrative importance, and should be marketed to newsstand-variant specialists and Star Trek run-builders rather than general key-issue buyers.