Approximate
Condition Profile
MARVEL COMICS · 7/98 · DIRECT EDITION
UNIT ECA-006632
SPIDER-MAN #93
Late-run Peter Parker: Spider-Man issue teaming the wall-crawler with Danny Ketch's Ghost Rider, John Romita Jr. cover, direct edition
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | July 1998 | Modern | Direct Edition | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows sharp corners, glossy unbroken surface, and strong color with no visible spine stress or ticks in this photo. The book is protected in a plastic sleeve which limits full assessment; no creases, folds, or edge chipping are apparent. Interior and back cover were not assessed, so grade is based solely on the visible front cover.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $1 | |
| MID_RAW | 4.0 – 6.0 | $3 | |
| HIGH_CERT | 9.8 SLAB | $55 |
// Archive commentary
Published with a July 1998 cover date, this is a late installment of the title Todd McFarlane launched in 1990 as Spider-Man and which was renamed Peter Parker: Spider-Man from issue #75 onward. Howard Mackie scripts, with pencils by Javier Saltares and inks by Scott Hanna over a John Romita Jr. cover, and Gregory Wright on color. The issue pairs Spider-Man with Danny Ketch's Ghost Rider and leans on the Stacy family supporting cast Mackie had built into the book, with Arthur, Jill, and Paul Stacy alongside Mary Jane. It arrives in the closing stretch of the volume, which ended five issues later at #98 before the line-wide relaunch that produced a new Peter Parker: Spider-Man #1 in early 1999. No first appearance, origin, or death occurs here.
Market profile is that of a common late-1990s Marvel newsstand-era book. Print runs by 1998 had fallen well below early-decade highs, but survivorship in high grade remains ample and speculative demand never attached to the issue. Raw copies move as run filler and as loose singles, where postage is frequently the larger share of the transaction. The only measurable premium sits at the top of the grade scale, where the CGC census is thin simply because almost nobody submits the book; when a 9.8 does appear it prices off certification cost and completist interest rather than off content, and the Saltares/Ghost Rider connection gives it a modest additional audience among Ketch collectors.
Buyers here are run collectors finishing the 1990-1998 volume, Danny Ketch Ghost Rider specialists tracking his guest appearances, and readers following the Mackie-era Stacy storyline. Across the raw grades the spread is nearly flat, so grade upgrades are not economically meaningful below the top tier; the practical decision point is whether to hold a candidate for certification at all. Dealers are best served treating this as inventory depth for a complete-run offering, where the issue contributes more as a set component than as a standalone sale.
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-006632 | ~9.2 | Direct Edition | AVAILABLE |
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