Approximate
Condition Profile
DC COMICS · 8/60
UNIT ECA-024085
SHOWCASE #27
First appearance of Ultra, the Multi-Alien, drawn by four different art teams
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| DC Comics | August 1960 | Silver | — | First appearance of Ultra, the Multi-Alien; notable for four different art teams (Lee Elias, Mike Sekowsky, John Giunta, Bruno Premiani) each illustrating one of the character's alien forms in a single issue | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-024085 | ~2.5 | — | AVAILABLE |
// Run position
// Condition analysis
This 1960 Silver Age Showcase is a pre-1977 title so no direct/newsstand distinction applies. Visible defects include heavy spine wear with multiple stress lines and small chips, a piece of tape/label residue at the top edge, significant corner wear especially at the top corners, and general surface soiling and discoloration across the cover. There is also a vertical crease running through the lower right portion of the cover and edge wear along the left staple area. Interior and back cover were not assessed from this photo.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $38 | |
| MID_RAW | 4.0 – 6.0 | $155 | |
| HIGH_CERT | 9.8 SLAB | $7,500 |
// Archive commentary
Showcase #27 (August 1960) introduced Ultra, the Multi-Alien, a one-shot DC try-out hero built around an unusual production gimmick: writer Robert Bernstein scripted a single adventure in which the character cycles through four alien identities, each rendered by a different artist — Lee Elias, Mike Sekowsky, John Giunta, and Bruno Premiani — within the same issue. Arriving amid DC's Silver Age revival of the anthology try-out format that had already relaunched the Flash and Green Lantern in earlier Showcase issues, #27 stands as a curiosity of production history even though Ultra himself never developed into an ongoing franchise character.
Market data shows a comic with unusually broad grade distribution and steady demand across the full census, with per-grade values climbing sharply above 8.0 as high-grade survivors thin out. The jump from roughly $220 at 6.0 to $1,100 at 9.0 reflects a typical Silver Age curve for a book printed in meaningful but not massive quantities, with condition sensitivity concentrated in the top third of the grading scale; the absence of any certified 9.8 underscores how few copies survive in pristine, unhandled state.
The book draws two overlapping buyer groups: Showcase-run completists assembling the anthology series in sequence, and Silver Age specialists interested in the multi-artist production gimmick and Bernstein's script. Lower grades trade briskly and affordably as reading/collecting copies, while mid-grade examples see healthy competition among series collectors. Top-end certified copies are scarce enough that a 9.8 would likely set a new high-water mark rather than track an established price point, making this a book where grade scarcity at the summit outweighs raw rarity in the mid-range.
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