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Shi: Sempo #1 front cover
~9.4 AI-Estimated
Approximate
Condition Profile
SHI: SEMPO #1
AVATAR PRESS · 1/02 · DIRECT EDITION
UNIT ECA-010882

SHI: SEMPO #1

Billy Tucci's Shi spins into a new arc under the Avatar Press banner

SIG 2/10 Available

// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Avatar Press 2002 Modern Direct Edition AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-010882 ~9.4 Direct Edition AVAILABLE

// Run position

Part of an unbroken run · #1–#2 · 2 issues View all 2 available issues of SHI: SEMPO →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows sharp corners, strong gloss, and no visible creasing or spine stress in this photo; the book is protected in a plastic sleeve which limits close inspection of edges. No color breaks, tears, or staining are visible, though minor sheen/glare from the plastic bag obscures fine surface detail. Interior and back cover were not assessed, so grade is based solely on the visible front cover condition.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal · no market comps found — era-based estimate
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $2
MID_RAW 4.0 – 6.0 $4
HIGH_CERT 9.8 SLAB $55

// Archive commentary

Shi: Sempo #1 is a 2002 Avatar Press release continuing the adventures of Ana Ishikawa, the katana-wielding assassin created by Billy Tucci in the early 1990s independent-comics boom. By this point Shi had moved publishers more than once, and Sempo represents one of several miniseries Avatar produced to keep the character active in the direct market after the character's original Crusade Comics run. Tucci remained closely associated with the character's writing and art direction across these later incarnations, and this issue continues the blend of samurai mysticism, noir-tinged violence, and pin-up-adjacent cover art that defined the Shi brand throughout the 1990s and 2000s.

The book's market profile is typical of small-press output from this era: it was produced in direct-market quantities without the fanfare or first-appearance significance that drives premium pricing, and no fair-market value has been established for it in standard pricing references, an indicator that supply comfortably meets the modest ongoing demand. Interest in the issue today comes primarily from Shi completists and Tucci art collectors rather than from speculative buyers chasing a milestone appearance, since Sempo does not introduce the character or mark any notable turning point in her publishing history.

Collectors assembling a run of Shi titles, or those drawn to Tucci's linework specifically, are the natural audience for this issue. Raw copies move at modest prices reflecting their common status, while a well-preserved graded example in top condition can command a more meaningful premium simply due to the scarcity of pristine survivors rather than any inherent story or historical importance. It functions best as an affordable piece of a broader Shi or Avatar Press collection rather than a standalone investment-grade book.

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