Approximate
Condition Profile
MARVEL COMICS · 7/83 · DIRECT EDITION
UNIT ECA-011697
PETER PARKER, THE SPECTACULAR SPIDER-MAN #80
Kingpin and the Jameson/Daily Bugle cast in a Bill Mantlo-scripted Spider-Man tale with an early Ron Frenz interior and a John Romita Jr. cover
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | July 1983 | Bronze | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-011697 | ~9.2 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and vibrant color with sharp, well-defined corners and no visible creases or spine stress lines. The top box carries the Spider-Man image in place of a UPC barcode, consistent with a direct edition. Minor handling wear may be present but is not visible through the protective sleeve; interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $10 | |
| MID_RAW | 4.0 – 6.0 | $28 | |
| HIGH_CERT | 9.8 SLAB | $36 |
// Archive commentary
Peter Parker, The Spectacular Spider-Man #80 is a mid-run Bronze Age issue scripted by Bill Mantlo, with pencils by a young Ron Frenz early in his Marvel tenure and a cover by John Romita Jr. The story brings Kingpin into conflict with Spider-Man against the backdrop of the Daily Bugle newsroom cast, including J. Jonah Jameson, Robbie Robertson, Ben Urich, Marla Jameson, Glory Grant, and Lance Bannon, giving the issue a strong supporting-cast presence typical of the Spectacular Spider-Man title's character-driven approach in this era.
The certified market for this issue is thin and largely flat across grades, with FMV holding in the $28-36 range from mid-grade through 9.8 and a census of 49 universal copies showing no scarcity pressure at any tier. Pricing shows little differentiation between an 8.0 and a 9.8, indicating the book trades primarily as a bulk Bronze Age Spider-Man title rather than one driven by grade sensitivity or landmark content. There is no first appearance, death, or other headline event in this issue to anchor stronger demand.
This is a book for completists building a run of the Spectacular Spider-Man series or early Ron Frenz art collectors, rather than speculative buyers chasing a key. Raw copies in low and mid grade trade for a few dollars and are readily available, while even a top census 9.8 slab commands only a modest premium, making this issue an affordable addition to a Bronze Age Spider-Man collection without meaningful investment upside.
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