Approximate
Condition Profile
MARVEL COMICS · 12/82 · DIRECT EDITION
UNIT ECA-011667
PETER PARKER, THE SPECTACULAR SPIDER-MAN #73
Bronze Age villains gauntlet for Spider-Man featuring Doctor Octopus, Kingpin, Owl, Boomerang and Bullseye
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | December 1982 | Bronze | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-011667 | ~9.0 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong, glossy color with sharp corners and no visible creasing or spine stress lines. Edges appear clean with only very minor handling wear visible near the top edge; the book is currently housed in a protective sleeve which limits full assessment of the surface. No stains, tears, or color breaks are apparent, though slight corner softness at bottom right may be present. Interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $3 | |
| MID_RAW | 4.0 – 6.0 | $8 | |
| HIGH_CERT | 9.8 SLAB | $85 |
// Archive commentary
Peter Parker, The Spectacular Spider-Man #73 (December 1982) is a Bill Mantlo-scripted, Al Milgrom-illustrated issue that throws an unusual concentration of Spider-Man's rogues gallery at the hero in a single outing, with Doctor Octopus, the Kingpin, the Owl, Boomerang, and Bullseye all making appearances. It arrives during Mantlo's long stewardship of the Spectacular Spider-Man title, a run known for weaving soap-opera subplots involving supporting cast members like Ben Urich, Debra Whitman, and Robbie Robertson into a dense villain-heavy Marvel Universe. The issue contains no first appearances, origin stories, or deaths, and its significance rests on its crowded rogues' gallery rather than any landmark event.
Market data reflects a book with a modest but real collector base: certified sales are thin across the run, with only a handful of transactions recorded at grades 7.0, 9.2, 9.6, and 9.8, and no sales at all logged between 7.0 and 9.2. The census of roughly 42 CGC Universal copies is small for an early-1980s Marvel title, suggesting most copies were never submitted for grading, which keeps raw-market demand modest and pricing driven primarily by high-grade certified sales rather than broad raw-copy trading. The $85 result at 9.8 shows the book carries some premium at the very top of the grading scale, likely driven by scarcity of pristine copies rather than character or story significance.
This is a book for Spider-Man villain-gallery completists and Bronze Age Marvel run-builders rather than speculative buyers chasing a key. Raw copies in low and mid grades move cheaply and infrequently, typically picked up as part of run fills rather than standalone purchases, while the CGC 9.8 tier draws a small pool of high-grade specialists willing to pay a real premium for a top-census copy given how few exist. Overall demand is steady but unspectacular, consistent with a well-illustrated but non-key issue from a prolific Bronze Age Spider-Man title.
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