Approximate
Condition Profile
MARVEL COMICS · 6/78 · NEWSSTAND
UNIT ECA-011520
PETER PARKER, THE SPECTACULAR SPIDER-MAN #19
Bronze Age Marvel team-up with Lightmaster and the Enforcers, Sal Buscema art
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | June 1978 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-011520 | ~8.5 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and vibrant color with sharp corners and clean edges; only minor wear is visible at the top edge and a slight bend near the upper right corner. Spine appears mostly tight with no major stress lines or color breaks visible in this photo. The book is in a protective sleeve which slightly obscures fine surface detail. Interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $6 | |
| HIGH_CERT | 9.8 SLAB | $200 |
// Archive commentary
Peter Parker, The Spectacular Spider-Man #19 (June 1978) is a mid-run Bronze Age issue written by Bill Mantlo with interior art by Sal Buscema, featuring a cover by Ernie Chan. The story pits Spider-Man against Lightmaster alongside the Enforcers (Fancy Dan, Montana, and Ox), with supporting-cast appearances from Aunt May, J. Jonah Jameson, Flash Thompson, and Glory Grant, and an early outing for the character Razorback. It is a representative installment of the ongoing Spider-Man title rather than a first appearance, origin, or otherwise historically pivotal issue.
Market activity is consistent with an unremarkable back-issue title: certified sales are sparse across most grades, with only a handful of transactions recorded below CGC 9.0 and a thin but somewhat more active market at the top of the census (9.6 and 9.8), where population is comparatively higher relative to sales. The steep value gradient between the high-9 grades and the near-mint-plus tier is typical of Bronze Age Marvel comics that were heavily read and creased at the time of publication, leaving true gem-mint survivors scarce despite a decent overall census count. There is no evidence of speculative or key-issue demand driving prices; the book's value curve tracks general condition scarcity rather than character or story significance.
This issue appeals primarily to Spider-Man run completists and Sal Buscema or Bill Mantlo art/story collectors filling out late-1970s Spectacular Spider-Man sets, rather than to key-issue investors. Lower and mid-grade raw copies move steadily but cheaply through dealer bins and online lots, while the handful of true Gem Mint 9.8 slabs command a real premium reflecting their rarity relative to a title that saw heavy newsstand handling. Long-term appreciation is likely to remain modest and tied to overall Spider-Man collecting demand rather than to any standalone significance of this issue.
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