PETER PARKER, THE SPECTACULAR SPIDER-MAN #115

Cover shows strong gloss and vibrant color with sharp, well-defined corners and no visible creases or spine stress lines. Edges appear clean with no chipping, and the image is crisp with no fading. The spine tick or fine wear cannot be fully assessed due to the book being in a protective sleeve, and interior/back cover were not examined, so the grade is capped conservatively despite the pristine appearance in this photo.

Peter Parker, The Spectacular Spider-Man #115 (June 1986) arrived during a period when the series was finding a distinct voice under writer Peter David, paired with the workmanlike, kinetic art of longtime Spider-Man penciler Sal Buscema. The issue is a standard entry in the ongoing adventures of Peter Parker/Spider-Man rather than a landmark installment — it introduces no major villain or supporting cast member that has entered the character's core mythology, and it carries no first appearance, origin, or death that collectors track as a key moment. Its interest lies chiefly in being a representative sample of a well-regarded creative stretch on a long-running Spider-Man title during the Copper Age.

Market data reflects that status: certified sales cluster at modest, flat values across the low-to-upper grades, with pricing only meaningfully accelerating at the top of the census where true gem-mint copies are scarce relative to demand from completists and 9.8 registry builders. The direct edition, standard print run, and lack of any notable first or variant content keep raw-copy demand light, and most transactional activity concentrates in slabbed near-mint-to-mint copies rather than lower and mid-grade raw books, which see thin, infrequent trading.

This is a book primarily of interest to Spider-Man series completists, Peter David or Sal Buscema run collectors, and CGC registry participants chasing high-grade Copper Age Marvel material. Lower and mid-grade raw copies are readily available and inexpensive, functioning as reading or filler copies for long-box collections; the real premium sits almost entirely in pristine 9.8 slabs, where scarcity relative to the overall census drives a disproportionate price jump compared to the grades just below it.