OUR ARMY AT WAR #216

Cover shows moderate wear consistent with age: soft corners, particularly at top right, mild edge wear along the right and bottom borders, and some minor surface scuffing. There is slight waviness/warping to the cover suggesting humidity exposure at some point, and a faint vertical crease near the spine area. Colors remain bright and the Kubert artwork is well preserved with no major tears, stains, or writing visible. Book is in a protective sleeve which obscures fine edge detail; interior and back cover were not assessed.

Our Army at War #216 (March 1969) is a standard issue from DC's long-running war anthology title, by this point firmly built around Sgt. Rock and Easy Company under writer Robert Kanigher and artist Joe Kubert, whose gritty, kinetic combat art defined the series' visual identity through the 1960s. The book arrives late in the Silver Age run, well after Rock's introduction and the title's transition into essentially a Rock solo vehicle, and it reflects the mature, workmanlike storytelling and cover design typical of the era's war comics rather than any singular narrative milestone.

Market data shows a thin but telling curve: raw and low-grade copies trade for modest sums befitting a high-print, non-key war comic, while certified mid-grade copies (5.5 to 8.5) hover in the $40 range with limited sales activity. Demand strengthens meaningfully at the top of the grading scale, where scarcity becomes the dominant driver rather than the story or first-appearance status — the jump from $42 at 8.5 to $130 at 9.2 signals a small but committed pool of high-grade Kubert/Rock collectors chasing well-preserved copies of an otherwise common title.

This issue is best understood as a solid title-run piece for Sgt. Rock and Joe Kubert completionists rather than a speculative key. Lower and mid-grade copies will move steadily but cheaply among war-comics readers and Easy Company collectors, while pristine certified copies — vanishingly scarce at the 9.6-9.8 level — command outsized premiums driven almost entirely by census rarity and Kubert's enduring reputation as the definitive war-comics artist of the period.