Approximate
Condition Profile
MARVEL COMICS · 4/85 · DIRECT EDITION
UNIT ECA-003764
MICRONAUTS: THE NEW VOYAGES #19
Late-run Micronauts: The New Voyages issue featuring the return of Baron Karza, Keith Pollard cover
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | April 1985 | Copper | Direct Edition | — | AVAILABLE |
// Condition analysis
Cover shows strong gloss and vibrant color with sharp corners and no visible creases or spine stress in this photo. Slight bend in the protective sleeve near the top edge is visible but does not appear to affect the actual cover; no chipping, tears, or staining is apparent. Interior pages and back cover were not visible for assessment, so grade reflects front cover surface only.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $75 |
// Archive commentary
Micronauts: The New Voyages #19 sits near the end of Marvel's second Micronauts series, the direct-market continuation that followed the original 59-issue run and carried the Mego-derived Microverse cast into a more cerebral phase. Peter B. Gillis scripts, Howard Bender pencils over Danny Bulanadi inks, and Keith Pollard supplies the cover for an installment that brings Baron Karza back into play as the series drives toward its conclusion two issues later. The cast is the familiar core of the franchise's late period, with Arcturus Rann, Marionette, Acroyear, Bug, Biotron, Microtron, Cilicia, Huntarr, and Fireflyte all in the frame, and the storyline reflects the aggressive character reinvention Gillis pursued across the run. Marvel lost the licensed and creator-owned rights after issue #20, which makes these final issues the endpoint of the original Micronauts continuity rather than a pause.
Commercially this is a run book rather than a key. The New Voyages was sold through direct-market channels on improved paper, so surviving copies skew high grade and the supply of clean, unread examples is disproportionate to demand. Market activity is concentrated in complete-run bundles and in the Kelley Jones-drawn earlier issues; #19, with Bender art and no first appearance or death of consequence, moves mainly to collectors closing out the series. Certification is rare across the entire title, and a 9.8 would likely be at or near the top of the census, but scarcity of slabs here reflects the economics of grading a common late Copper Age book rather than genuine rarity of high-grade paper.
The buyer profile is narrow and specific: Micronauts completists, Gillis and Pollard followers, and collectors assembling the full 1-20 arc following the recent omnibus and Epic Collection reprints, which have modestly renewed attention on the Gillis era. Low- and mid-grade copies trade as inexpensive run filler and are best moved as part of a set rather than individually, since shipping economics dominate the price at that level. Certified copies are a thin, opportunistic market where results depend heavily on which completist is bidding that week, and a dealer should treat any single high-grade slab sale as an outlier rather than an established price level.
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-003764 | ~9.2 | Direct Edition | AVAILABLE |
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