MARVEL TWO-IN-ONE #24

Cover shows strong gloss and vibrant color with sharp corners and only very minor edge wear visible. There is slight surface handling wear near the top edge and a faint bend at the upper right corner tip, but no major creases, tears, or color breaks are evident. Spine appears tight with no visible stress lines in this image. Interior pages and back cover were not assessed, and the book is in a protective sleeve which may obscure minor defects.

Marvel Two-In-One #24 (February 1977) is a mid-run issue of Marvel's flagship team-up title starring Ben Grimm, the Thing, who here joins forces with Iron Man against the villain called the Hijacker, with Black Goliath also appearing. The issue was written by Bill Mantlo and Jim Shooter, with art by Pablo Marcos, and lettering split between Gaspar Saladino, Irving Watanabe, and Joe Rosen, under editor Archie Goodwin. It arrives in the thick of the series' mid-1970s stretch, when Marvel Two-In-One regularly rotated the Thing through pairings with other heroes rather than building toward any single ongoing plot, and it does not introduce any characters or concepts of lasting note to the Marvel Universe.

As a back-issue, this is a standard Bronze Age team-up book: solid Marvel talent on both story and art, but no first appearance, no landmark creative statement, and no cover image that has become a touchstone for collectors. Demand is driven almost entirely by Thing and Iron Man completists and by readers assembling a full run of Marvel Two-In-One, rather than by speculative interest in any single element of the issue. That profile is reflected in its absence from published fair-market pricing, which is itself evidence of how routinely this issue trades.

Collectors most likely to seek this book are Bronze Age Marvel team-up runs collectors, Iron Man or Thing character collectors filling gaps, and readers interested in Pablo Marcos's art from this period. It should be expected to move steadily but modestly in low and mid grades through back-issue bins, comic shops, and online marketplaces, with high-grade slabbed copies commanding a real but limited premium tied to scarcity of well-preserved examples rather than to any inherent character or story importance.