Approximate
Condition Profile
MARVEL COMICS · 10/77 · NEWSSTAND
UNIT ECA-012082
MARVEL TEAM-UP #62
Spider-Man and Carol Danvers face the Super-Skrull, art by Gil Kane and John Byrne
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | October 1977 | Bronze | Newsstand | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and vibrant color with sharp corners and clean edges; a UPC barcode is present confirming newsstand edition. Slight whitening is visible at the top left corner tip and minor edge wear along the spine, with no major creases or color breaks apparent. The book is in a protective sleeve, which limits full assessment of surface texture; interior and back cover were not examined.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $6 | |
| HIGH_CERT | 9.8 SLAB | $85 |
// Archive commentary
Marvel Team-Up #62 pairs Spider-Man with Carol Danvers, then operating as Ms. Marvel, against the shape-shifting menace of the Super-Skrull. The issue was scripted by Chris Claremont, who was simultaneously building his long run on X-Men and had a hand in Ms. Marvel's own title around this period, giving the crossover a bit of connective tissue for readers following both books. Gil Kane and Mike Esposito supplied the cover, while John Byrne contributed interior art alongside Kane's pencils, placing two artists soon to define much of Marvel's late-1970s output on the same book. Jean DeWolff, the NYPD captain who would recur through Spider-Man's supporting cast for years, also appears.
As a middle issue in Marvel Team-Up's long and unglamorous run, #62 was never treated as a standout by the direct market or by price guides, and it carries no first appearance, death, or landmark story credit. Its interest is incidental: the Claremont-Byrne-Kane creative combination and an early guest shot for Carol Danvers give it a modest talking point for completists of either creator or character, but demand has never been strong enough to lift it out of common-book territory. Surviving copies are plentiful, largely newsstand distribution from an era of high print runs.
This is a book for Spider-Man and Ms. Marvel/Carol Danvers completists rounding out long runs, or for Byrne and Claremont collectors assembling early-career work, rather than a speculative or key-driven purchase. Raw copies move steadily at low prices regardless of grade nuance, and the rare graded submission attracts only a small premium reflecting scarcity of high-grade census population rather than any inherent demand spike. It trades, in short, like the ordinary mid-run issue it is.
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-012082 | ~8.5 | Newsstand | AVAILABLE |
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