Approximate
Condition Profile
MARVEL COMICS · 11/87 · NEWSSTAND
UNIT ECA-017288
MARVEL TALES #205
Marvel Tales #205 reprints Amazing Spider-Man Annual #14 with a Spider-Ham backup, newsstand Copper Age reprint
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | November 1987 | Copper | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-017288 | ~8.5 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and vibrant color with sharp corners and no visible creasing or spine stress. There is minor edge wear along the top and right border and a small amount of surface handling wear near the spine, but no color breaks or tears observed. Interior pages and back cover were not assessed, so grade is based solely on the visible front cover.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $60 |
// Archive commentary
Marvel Tales #205, cover-dated November 1987, is part of Marvel's long-running reprint anthology that recycled earlier Spider-Man stories for a new generation of readers at a low cover price. This issue reprints Amazing Spider-Man Annual #14, the 1980 crossover written by Chris Claremont with art by John Byrne that introduced Havok and Polaris into Spider-Man's orbit alongside the villain Living Monolith and other X-Men-adjacent characters such as Beast and Moira MacTaggert. The issue also carries a short Spider-Ham backup by Michael Eury, a lighter feature typical of the back-of-book material Marvel used to round out these reprint issues.
As a reprint title distributed primarily through newsstands late in the direct-market era, Marvel Tales #205 was produced in high volume and saw little collector attention at the time or since; it does not appear on any list of recognized key issues, and its interest rests entirely on the Claremont/Byrne story it reproduces rather than on any first appearance or original artwork of its own. Demand for the issue is modest and steady rather than driven by any particular event, consistent with its absence from standard price-guide valuation.
Collectors of this book are typically Spider-Man or X-Men completists filling out a Marvel Tales run, or readers seeking an affordable way to read the Claremont/Byrne Annual without chasing the pricier original. Raw copies trade cheaply and are easy to find in any long box, while a top-grade slabbed example appeals only to a small pool of Copper Age registry builders rather than general market buyers.
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