Approximate
Condition Profile
MARVEL COMICS · 4/81 · NEWSSTAND
UNIT ECA-017186
MARVEL TALES #126
Marvel Tales #126 reprints the Amazing Spider-Man clone saga climax for a new newsstand audience
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | April 1981 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-017186 | ~9.0 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and sharp corners with no visible creasing or spine stress lines. Slight edge wear is visible at the bottom left corner and a faint press mark near the barcode box, but colors remain vibrant with no fading. Book is in a protective sleeve which limits full surface inspection; interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $1 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $60 |
// Archive commentary
Marvel Tales #126 is a Bronze Age reprint title that recycled Amazing Spider-Man #149, delivering the climactic confrontation of the original Clone Saga to a new newsstand readership in 1981. The issue restages Gerry Conway's script and Ross Andru and Mike Esposito's art, including the Jackal's unmasking and the death of the Spider-Man clone, alongside a back-feature drawing on Thor's supporting cast of Balder, Loki, Hela, and Karnilla. As with most entries in the long-running Marvel Tales line, the book's value rests entirely on reproducing a landmark story rather than presenting it for the first time.
Market data reflects this secondary status: certified population is small and thinly traded, with only a handful of 9.8 sales anchoring the top of the curve, while raw copies in low and mid grades see little dedicated attention and price close to typical reprint-comic norms. Demand is driven almost exclusively by Spider-Man clone-saga completists and collectors assembling full runs of the Marvel Tales reprint series, rather than by any first-appearance or milestone status of its own.
This is a book bought for completeness rather than investment. Low- and mid-grade raw copies remain readily available and inexpensive, appealing mainly to readers or Spider-Man cover-run collectors filling reprint gaps, while pristine CGC 9.8 slabs draw modest premiums from registry-focused buyers chasing top-census copies of an otherwise minor title. Across grades, the book trades as a stable, low-cost supporting piece rather than a market driver.
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