Approximate
Condition Profile
MARVEL COMICS · 3/80 · NEWSSTAND
UNIT ECA-017195
MARVEL TALES #113
Marvel Tales #113 – Amazing Spider-Man reprint anthology, newsstand edition
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | March 1980 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-017195 | ~7.0 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows moderate wear typical of a well-handled newsstand copy: soft corner rounding at top left and bottom right, a couple of faint diagonal creases across the lower right image area, and slight surface rubbing along the spine with minor color break at the top edge. There is some minor discoloration/staining near the bottom left figure and light overall sheen loss from handling; no major tears or missing pieces are visible. Interior and back cover were not assessed, so grade could shift based on interior condition.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $6 | |
| HIGH_CERT | 9.8 SLAB | $85 |
// Archive commentary
Marvel Tales was Marvel's long-running reprint anthology, and by the time issue #113 reached newsstands in March 1980 the title had settled into a dependable role: recycling earlier Amazing Spider-Man adventures for a new generation of readers at a lower cover price than the parent title. These issues typically carried a Spider-Man cover, sometimes newly commissioned and sometimes adapted from the original story's interior or cover art, and reprinted the story with its original Silver or early Bronze Age creative credits intact, usually Stan Lee's scripts paired with period Spider-Man art from artists such as John Romita Sr.
As a reprint vehicle rather than a source of new continuity, Marvel Tales #113 carries no first appearances, no origin content, and no landmark creative milestone of its own; its market behavior reflects that squarely. It is not tracked with an active fair-market value in standard pricing data, which is itself the clearest signal of its status: a plentiful, unremarkable back-issue that circulated widely on spinner racks and newsstands and was not treated as a collectible at the time of release. Demand for the issue today comes almost entirely from Spider-Man completists assembling full Marvel Tales runs and from readers seeking an inexpensive way to read the reprinted story rather than chase the pricier original printing.
This is a book that trades at the low end of the market across the board. Raw copies in any condition move cheaply through dealer bins, conventions, and online lots, mid-grade examples fetch only modest premiums, and even a top-graded CGC 9.8 slab is valued mainly for its rarity in that specific grade rather than for any inherent desirability of the issue. Collectors interested in the underlying Spider-Man story are generally better served seeking the original Amazing Spider-Man issue; buyers of this reprint are typically series completists, nostalgia readers, or those filling gaps in a Marvel Tales run inexpensively.
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