Approximate
Condition Profile
DC COMICS · 1/91
UNIT ECA-001883
JUSTICE LEAGUE AMERICA ANNUAL #5
Armageddon 2001 crossover chapter of the Giffen/DeMatteis Justice League, with breakdowns by Keith Giffen and finished pencils by a rotating team including Kevin Maguire, Dan Jurgens, Chris Sprouse and Darick Robertson
// Unit specification
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-001883 | ~9.2 | — | AVAILABLE |
// Condition analysis
The cover shows strong gloss and vibrant color retention with no visible spine stress, creases, or color breaks. Corners appear sharp with only minor handling wear at the extreme tips. The book is protected in a plastic sleeve, and no tears, stains, or writing are visible on the front cover. Interior pages and back cover were not assessed, so the grade is based solely on the front cover's visible condition.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $3 | |
| HIGH_CERT | 9.8 SLAB | $70 |
// Archive commentary
Published with a 1991 cover date, this oversized annual is a chapter of Armageddon 2001, the summer crossover that ran through DC's 1991 annuals and had the time traveler Waverider probe the futures of the company's heroes in search of the tyrant Monarch. Keith Giffen supplied plot and page breakdowns with script by J.M. DeMatteis, keeping the wry, character-driven tone that defined their Justice League run, and the finished art was split among a large rotating group of pencilers that included Kevin Maguire, Dan Jurgens, Chris Sprouse and Darick Robertson, with Bruce Patterson among the inkers and coloring by Gene D'Angelo. The cast is the familiar late-Giffen lineup: Martian Manhunter, Aquaman, Guy Gardner, Booster Gold, Fire, Ice, Big Barda, Maxwell Lord and L-Ron, alongside the recently introduced General Glory.
Market profile is that of a common Copper Age crossover annual. Print runs were substantial, the book was widely bought by direct-market subscribers who preserved it, and DC went back for a second printing, which further dilutes scarcity and confuses casual buyers comparing listings. Raw copies circulate constantly in online marketplaces and dealer stock at cheap-box levels, and completed-sale data shows almost no spread between grades until the very top of the scale. Certification is rare because the economics do not work: submission and shipping costs exceed the book's raw value many times over, which is why the census is nearly empty and why high-grade certified pricing reflects the cost of encapsulation rather than collector competition.
Buyers are Armageddon 2001 completists assembling the full annual sequence, Giffen/DeMatteis Justice League run collectors, and specialists tracking early pencil work by Chris Sprouse and Darick Robertson before their better-known assignments. Across the raw grade spectrum the book behaves as a reader: low-grade copies are effectively bulk material, mid-grade copies trade at the same level as near-mint ones, and the only meaningful premium sits with a certified top-grade example, where value derives from scarcity of slabs rather than scarcity of the comic. Dealers are best served moving this title in run lots or crossover sets rather than as a standalone offering.
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