IRON MAN #327
Terry Kavanagh and Jim Cheung era Iron Man, standard newsstand-period issue
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | April 1996 | Modern | — | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-002754 | ~9.0 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and sharp corners with no visible creases or spine stress; a small glare/reflection near the right edge may be obscuring minor surface wear rather than an actual defect. Slight bend or wave is visible in the upper right corner area of the cover, and the book is in a protective sleeve which limits full edge inspection. No color breaks, tears, or stains are apparent on the visible portion. Interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $1 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $18 |
// Archive commentary
Iron Man #327 arrived during the mid-1990s stretch of the title written by Terry Kavanagh, with pencils and cover art by a young Jim Cheung early in his career, inked by Mark McKenna and colored by John Kalisz. The issue features Tony Stark's established supporting cast, including Bethany Cabe, Happy Hogan, and Bambi Arbogast, alongside Hank Pym and the villain Frostbite, in a story typical of the character-development-heavy Iron Man run of this period. It carries no first appearances, deaths, or landmark creative milestones, and reflects the workmanlike mid-1990s output of the Marvel line rather than any historic turning point for the character.
The market for this issue is thin, with a small certified population and only a handful of recorded sales spread across the grading spectrum. Interest is confined almost entirely to Iron Man completists assembling long-box runs or collectors pursuing early Jim Cheung cover art, as the artist's later prominence on titles like New Avengers and Avengers vs. X-Men has generated modest crossover curiosity for his 1990s Marvel work. There is no meaningful speculative activity, and pricing sits near the floor typical of unremarkable 1990s superhero output.
This book trades as bulk-bin and long-box material in raw grades, with almost no premium separating low and mid condition copies given minimal demand. Even certified 9.8 copies command only nominal value, reflecting a book bought primarily by series runs collectors and Cheung completists rather than investors or character-key hunters. It is best cataloged as a low-cost run-filler rather than a growth asset.
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