Approximate
Condition Profile
MARVEL COMICS · 2/86 · NEWSSTAND
UNIT ECA-002531
IRON MAN #203
Mid-run Copper Age Iron Man newsstand copy, "The Maze" Part 1, by Denny O'Neil and Mark Bright with guest star Hank Pym
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | February 1986 | Copper | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-002531 | ~9.0 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shown in protective sleeve appears glossy with strong color and sharp corners; no visible creases, tears, or spine stress from this angle. Slight softness may be present at the top corners but is hard to confirm due to the sleeve glare. Interior and back cover were not assessed, so grade is capped conservatively based on this single front-cover photo.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $80 |
// Archive commentary
Published with a February 1986 cover date, this issue opens "The Maze," a two-part story scripted by Denny O'Neil with pencils by Mark Bright and inks by Ian Akin and Brian Garvey. It sits in the immediate aftermath of the Obadiah Stane storyline that culminated in the milestone issue #200, with Tony Stark wearing the red-and-white Silver Centurion armor and working to recover the fortune Stane hid inside a computer system. The plot turns on the Madame Masque and Bethany Cabe identity switch and brings in Hank Pym, who shrinks Iron Man so he can enter the machine directly, an unusual conceit for the run and the main reason the issue is remembered at all. No first appearances, origins, or deaths of consequence occur here.
Market activity is light. Recorded sales in all grades number in the single digits on the principal tracking services, the certified census is small, and most transactions happen inside bulk runs rather than as individual sales. Demand is driven by two narrow groups: collectors assembling a complete Iron Man volume one run, and Copper Age registry-minded buyers chasing high-grade examples of otherwise unremarkable issues. The O'Neil and Bright creative team has a modest following, and the Stane-era continuity retains interest because of its later cultural echo in film, but neither factor has produced a sustained price move for this specific number.
Raw copies in low and mid grades are dollar-box and want-list merchandise, most often absorbed into run purchases where the per-issue price is nominal. The economics change only at the top of the grade scale, where certification cost exceeds the raw value of the book and only a genuinely pristine newsstand copy justifies submission; the handful of high-grade certified examples therefore trade in line with other Copper Age Iron Man non-keys rather than at any premium. Dealers should treat this as run filler with occasional upside in 9.8, and expect the strongest interest from completionists rather than speculators.
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