Approximate
Condition Profile
MARVEL COMICS · 4/85 · DIRECT EDITION
UNIT ECA-002414
IRON MAN #193
Denny O'Neil/Luke McDonnell-era Iron Man from the buildup to Tony Stark's fall
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | April 1985 | Copper | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-002414 | ~8.5 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
The cover shows strong color and gloss with sharp corners and no visible creases or spine stress in this photo; the black direct-edition mark (in place of a UPC barcode) is clean and undamaged. There is some plastic sleeve glare obscuring fine surface detail, and a faint vertical reflection line runs down the right side of the image that may be sleeve glare rather than an actual crease. No tears, stains, or writing are visible on the front cover. Interior pages and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $4 | |
| MID_RAW | 4.0 – 6.0 | $8 | |
| HIGH_CERT | 9.8 SLAB | $48 |
// Archive commentary
Iron Man #193 appeared in April 1985 during Denny O'Neil's tenure as writer, with art by Luke McDonnell, a period of the series remembered for its sustained character drama around Tony Stark's descent into alcoholism and the machinations of rival industrialist Obadiah Stane. The issue sits within the arc that would culminate in the landmark Iron Man #200, in which Stark relinquishes the armor to James Rhodes. While #193 itself is not a first appearance or a milestone issue, it is part of a critically regarded creative run that remains a touchstone for character-driven superhero storytelling in the Copper Age.
Market data reflects a plentiful, well-preserved population: certified census figures show dozens of copies at 9.6 and above, with steady but modest fair-market values that rise gently from the low-to-mid grades before climbing more noticeably at the top of the grading scale. Demand is driven primarily by Iron Man completists and readers of the O'Neil/McDonnell run rather than speculative key-issue buyers, and the absence of any first appearances or major event content keeps the book firmly in the affordable range across all conditions.
This is a collector's-shelf book rather than an investment vehicle: raw copies in low and mid grade trade for a few dollars and are typically acquired to complete a run, while CGC 9.8 slabs command a real but modest premium reflecting the difficulty of finding pristine direct-edition copies from this era. Price movement across grades is gradual rather than driven by grade-specific spikes, and the book is best positioned in dealer inventory as a run-filler or affordable slab for Iron Man specialists.
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