IRON MAN #18
Silver Age Iron Man team-up issue featuring Madame Masque, Crimson Dynamo, and Hawkeye
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | October 1969 | Silver | — | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-002588 | ~7.0 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows generally strong gloss and bright, well-preserved colors with sharp corners. There is minor edge wear along the top and right border, slight whitening at the top-left corner tip, and a faint vertical crease near the spine visible under the protective sleeve. No major creases, tears, or color breaks are apparent from this angle. The book is in a plastic sleeve, which limits full assessment of surface sheen and spine stress; interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $8 | |
| MID_RAW | 4.0 – 6.0 | $22 | |
| HIGH_CERT | 9.8 SLAB | $4,100 |
// Archive commentary
Iron Man #18 (October 1969) arrived during Archie Goodwin's run as writer, with George Tuska providing pencils and cover and Johnny Craig on inks, under Stan Lee's editorship. The issue continues plot threads involving Madame Masque (Whitney Frost, introduced the previous issue), the returning Crimson Dynamo, and industrialist intrigue tied to Janice Cord and Mordecai Midas, while guest appearances from Hawkeye, Hank Pym, Captain America, and Nick Fury tie the book into the broader Marvel universe of the period. It is a representative late-1960s Iron Man issue rather than a foundational first appearance or origin story, valued primarily for its place within a well-collected Silver Age run and its Goodwin/Tuska/Craig creative team.
The FMV curve shows typical Silver Age behavior for a non-key mid-run issue: modest and fairly flat pricing through the mid grades (roughly $20-$32 from grade 5 to 7), a gradual climb through the high-grade tiers, and a steep premium at the top of the census. With only seven 9.8 copies recorded and no 9.9 or 10 on the census, the top grade trades at a significant multiple over 9.6 and 9.4 copies, reflecting genuine scarcity in pristine condition rather than broad collector demand for the issue itself. Demand is driven by run-completists and Iron Man specialists rather than crossover key-issue buyers.
This book suits collectors building a complete Silver Age Iron Man run or assembling Goodwin/Tuska-era material, and it trades in a narrow band across low and mid grades where supply is ample. High-grade copies, particularly at the 9.8 tier, see outsized pricing due to census scarcity, making this a book where grade matters more than typical for its era-value curve is comparatively flat until the very top, then spikes sharply.
INQUIRE_ABOUT_THIS_UNIT
Institutional buyers, auction houses, and private collectors — direct line to the archive.
