FOXHOLE #6

The image is rotated 90 degrees but shows heavy wear: significant spine roll and multiple spine splits/tears visible along the binding edge, a large chip/tear at the lower right cover edge, and general surface wear with soiling throughout. There is visible pen/pencil writing near the top of the cover. Corners show blunting and there is noticeable creasing across the cover art. Interior and back cover were not assessed from this photo.

Foxhole was launched in 1954 by Joe Simon and Jack Kirby's own Mainline Comics, a war anthology whose selling point was authenticity — stories 'produced by veterans' rather than armchair patriots. When Mainline collapsed, Charlton absorbed the title, and issue #6 (cover-dated 1955) stands as the effective end of the Simon & Kirby involvement, drawing on the pair's remaining inventory of art and scripts. For collectors of Golden Age war material and of the Simon & Kirby partnership specifically, that lineage is the whole appeal: this is a Charlton package wrapped around the tail end of one of the medium's most influential creative teams.

As a market object it sits in a modest but steady niche. Demand is driven almost entirely by the Simon & Kirby association and by war-genre completists, not by any first appearance or origin, so the book trades at Golden Age war-title levels with a creator premium layered on top. Supply in any grade is limited by low 1950s Charlton print survival and thin newsstand-era paper quality, which keeps presentable copies scarcer than the raw price suggests; conversely, the absence of a marquee key caps upside. Certified examples appear infrequently, and true high-grade copies are genuinely rare.

Buyers here are Simon & Kirby specialists, Charlton and pre-Code war collectors, and run-builders finishing the seven-issue Foxhole set. The book behaves like most vintage niche material: low-grade reading copies move readily and cheaply, mid-grade copies command a meaningful step up when they surface with clean covers and intact spines, and the handful of high-grade certified pieces can bring outsized, condition-driven results because the census is so shallow. Grade sensitivity is pronounced, so eye appeal and page quality materially affect where a given copy lands.