FIGHTIN’ ARMY #101

This photo shows what appears to be an interior story page or the inside/back cover artwork (rotated 90°) rather than the actual front cover — no series logo, issue number, publisher name, or price box is visible. The paper stock shows browning/toning typical of an older Bronze Age comic, along with a small corner tear at the bottom edge and general edge wear. Because the front cover itself is not shown, condition cannot be reliably graded from this image; interior and back cover otherwise not assessed.

Fightin' Army #101 (cover-dated January 1972) is a standard-format issue of Charlton's long-running war anthology, a title that grew out of Soldier and Marine Comics and ran under editor George Wildman during the early 1970s. The book collects several short combat stories drawn from WWII, Korea and other conflicts, with a cover and interior work by Don Perlin — who handled the majority of Fightin' Army covers in 1972-73 — alongside contributions from Sam Glanzman, whose service-informed war art is a recurring draw for the series, and Charlton regulars Charles Nicholas and Vince Alascia. It is a representative mid-run issue rather than a debut, origin or landmark, and carries no recognized first appearance.

Market demand here is driven almost entirely by run collectors completing the Fightin' Army series and by admirers of Glanzman and Perlin war art, not by any key-issue speculation. Charlton war books from this period were printed on cheap stock with fragile spines and off-white paper, so genuinely high-grade survivors are uncommon, but that scarcity has not translated into strong prices because collector demand is shallow. Sales are infrequent and cluster at modest dollar amounts, with condition and eye appeal — a clean, well-registered cover — mattering more to buyers than the issue number itself.

The audience is a narrow band of Bronze Age war-comic and Charlton enthusiasts plus completists; it is not a book that attracts investment buyers. Low-grade copies move as inexpensive filler, mid-grade raw copies are the sweet spot for most run builders, and certified high-grade examples are essentially a scarcity play for registry and Charlton specialists rather than a liquid market. Expect patient selling across all tiers, with the widest interest at affordable raw grades.