Approximate
Condition Profile
MARVEL COMICS · 3/70
UNIT ECA-028372
FANTASTIC FOUR #96
Jack Kirby's penultimate Fantastic Four issue, cover-dated March 1970
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | March 1970 | Bronze | — | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-028372 | ~6.5 | — | AVAILABLE |
| ECA-039376 | ~3.5 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows good gloss retention with strong color on the red figure and title logo. There are minor corner wear points at the top right and bottom left, slight edge wear along the right border, and a faint diagonal crease visible in the lower right cover area. Spine appears mostly tight with only minor stress lines, no major color breaks noted. The book is housed in a protective sleeve which limits full assessment; interior pages and back cover were not visible or assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $15 | |
| MID_RAW | 4.0 – 6.0 | $25 | |
| HIGH_CERT | 9.8 SLAB | $450 |
// Archive commentary
Fantastic Four #96 arrived at the tail end of Jack Kirby's historic run on the title, with Stan Lee scripting and Joe Sinnott inking Kirby's pencils. Part of the extended "Prime Mover" storyline that runs through issues #93-96, the book finds Reed Richards, Sue Storm, Ben Grimm, and Johnny Storm contending with the mysterious puppet-master villain and his agent Monocle, with Crystal and Agatha Harkness figuring into the supporting cast. While it lacks a headline first appearance or death, it stands as a representative artifact of the Lee-Kirby creative partnership in its final stretch, just before Kirby's departure from Marvel in 1970.
Market data shows a broad certified population of 277 Universal copies, reflecting steady collector interest in the late Kirby FF issues without the intensity reserved for true keys. Values climb gradually through the mid grades and then accelerate sharply above 9.4, where the population thins and buyers compete for the handful of pristine survivors; the jump from 9.6 to the still-unpriced 9.8 tier illustrates this typical Bronze Age curve, where common raw copies trade for modest sums but top-census slabs command outsized premiums. Ninety-day and 30-day averages at 9.6 remain consistent with the FMV, suggesting a stable rather than speculative market.
This issue suits Kirby-run completists and Fantastic Four series collectors rather than key-driven investors chasing first appearances. Low- and mid-grade raw copies remain widely available and affordably priced, making the book an easy entry point for readers building a run of Lee-Kirby FF. High-grade certified copies, by contrast, are scarce enough that a clean 9.8 would likely draw active bidding among registry-set collectors, even absent a landmark story element, simply on the strength of Kirby's late-run artwork and the book's place in Marvel's most acclaimed creative era.
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