Approximate
Condition Profile
MARVEL COMICS · 11/62
UNIT ECA-028600
FANTASTIC FOUR #8
First appearance of the Puppet Master and Alicia Masters, with a Sub-Mariner guest appearance, Lee and Kirby art
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | November 1962 | Silver | — | First appearance of the Puppet Master; first appearance of Alicia Masters; Sub-Mariner guest appearance; Jack Kirby cover and interior art | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-028600 | ~3.5 | — | AVAILABLE |
// Run position
// Condition analysis
This 1962 Silver Age issue shows significant handling wear consistent with age: heavy spine stress with multiple visible white ticks and a small chip at the top spine edge, a tear/split along the upper right corner area, and rounded/softened corners throughout. There is noticeable edge wear along the left and bottom borders, some fraying at the spine, and general surface wear with slight color rub on the gray background. Cover gloss appears diminished and there's mild waviness to the paper stock. Interior pages and back cover were not visible in this photo and were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $63 | |
| MID_RAW | 4.0 – 6.0 | $420 | |
| HIGH_CERT | 9.8 SLAB | $42,000 |
// Archive commentary
Fantastic Four #8 (November 1962) is a foundational early issue of Marvel's flagship team title, written by Stan Lee with art and cover by Jack Kirby. The issue introduces the Puppet Master, one of the team's most enduring rogues, and Alicia Masters, who becomes a central romantic figure for Ben Grimm across decades of Marvel continuity. The story also brings back Namor the Sub-Mariner, tying the issue into the shared-universe storytelling Lee and Kirby were rapidly developing in these formative Marvel years.
Demand for the issue is driven almost entirely by its dual first appearances rather than by cover imagery alone, and the certified population is substantial, with well over a thousand graded copies and active sales across nearly every grade tier. Pricing rises sharply above the mid-grade range, with a pronounced jump from the 6.0-7.0 band into 8.0 and higher, reflecting the scarcity of well-preserved copies of a book that saw heavy newsstand handling. The complete absence of any 9.8 on the census, despite thousands of copies surviving in lower grades, underscores how thin the top of the population remains for a sixty-year-old high-circulation comic.
The book is a staple want-list item for Silver Age Marvel key collectors, Fantastic Four completists, and those building character-specific collections around Alicia Masters or the Puppet Master. Lower and mid-grade copies trade steadily as accessible entry points into early Marvel continuity, while high-grade certified examples are contested primarily by advanced investors and grail-focused collectors, with any future 9.8 discovery likely to command an outsized premium given the current top-of-census vacancy.
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