Approximate
Condition Profile
MARVEL COMICS · 4/68
UNIT ECA-019132
FANTASTIC FOUR #73
Silver Age Fantastic Four featuring the Silver Surfer, Kirby pencils and Sinnott inks
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | April 1968 | Silver | — | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-018982 | ~8.5 | — | AVAILABLE |
| ECA-019132 | ~7.0 | — | AVAILABLE |
// Run position
// Condition analysis
Cover shows good gloss with vibrant Kirby/Sinnott art; slight age-related toning at cover edges and a small white fleck/spot near the bottom left corner. Corners appear reasonably sharp with only minor softness, and the spine shows no major visible stress lines or color breaks in this image. Book is in a protective sleeve which obscures fine surface detail; interior and back cover were not assessed, so grade is an estimate based solely on the visible front cover.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $28 | |
| MID_RAW | 4.0 – 6.0 | $54 | |
| HIGH_CERT | 9.8 SLAB | $3,000 |
// Archive commentary
Fantastic Four #73, cover-dated April 1968, arrived during the run's most celebrated creative stretch, with Stan Lee scripting and Jack Kirby on pencils, inked by Joe Sinnott. The issue, "Where Soars the Silver Surfer!", continues the subplot thread that grew out of the Galactus trilogy a few years earlier, giving the Surfer a prominent role alongside Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm as Marvel built toward the character's own solo title later that same year. It is not a first appearance or origin issue, but it sits within a run widely regarded as a high point of Silver Age superhero storytelling and art.
Market data shows a typical distribution for a well-collected but not landmark Silver Age issue: values stay compressed and modest through the low and mid raw grades, with over a thousand copies already graded and hundreds clustered in the 6.0-9.4 range. The curve steepens sharply at the top, where only two dozen CGC 9.8 copies exist against a much larger population below that grade, producing outsized demand and pricing at the summit of the census even though mid-grade copies trade for a fraction of that figure. This pattern reflects collector interest driven primarily by the Kirby/Sinnott art team and the Silver Surfer tie-in rather than any single landmark event within the issue itself.
The book suits Fantastic Four run collectors, Silver Surfer completists, and Kirby-era art buyers rather than key-issue speculators. Lower and mid-grade raw copies remain affordable entry points for readers assembling the run, while top-census 9.8 slabs command a real premium and trade infrequently, appealing to condition-focused collectors chasing census-topping examples. Expect steady, unspectacular movement in the bulk grades and periodic strong results whenever a superior slab surfaces.
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