Approximate
Condition Profile
MARVEL COMICS · 12/01 · DIRECT EDITION
UNIT ECA-025163
FANTASTIC FOUR #48
Fantastic Four vol. 3 #48 – Marvel's First Family at the close of the Carlos Pacheco era
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | December 2001 | Modern | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-025163 | ~9.4 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover shows sharp, unblunted corners and strong glossy surface with no visible spine stress lines or ticks. Colors appear vibrant with no fading, and there are no creases, tears, or stains visible on the front cover. Book is protected in a plastic sleeve which slightly obscures fine detail assessment; interior pages and back cover were not examined.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $55 |
// Archive commentary
Fantastic Four vol. 3 #48 (Marvel Comics, cover-dated December 2001) arrived near the end of Carlos Pacheco's run as writer and penciler on the title, a stretch that followed Chris Claremont and Salvador Larroca's earlier stewardship of the relaunched volume 3 numbering that began in 1998. Pacheco, working with co-writer Rafael Marín, brought a widescreen, classicist art style to the book during his tenure, and this issue represents one of the closing chapters of that collaboration before Mark Waid and Mike Wieringo assumed the title the following month with issue #49. As with most of the volume 3 run, the book continues the adventures of Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm as they navigate cosmic and personal threats in the tradition established by Stan Lee and Jack Kirby decades earlier.
This is an ordinary, well-produced mid-run issue of a long-continuing flagship title rather than a book tied to any first appearance, death, or landmark creative debut, and the market treats it accordingly: it trades at or near cover price in the direct market and has never registered meaningful demand beyond completist collectors assembling the Pacheco or full volume-3 run. There is no scarcity story here — print runs for Fantastic Four in this period were substantial, and raw copies remain plentiful in dealer stock and online listings.
Collecting interest in this issue comes almost entirely from readers filling out a run rather than speculators or key-issue hunters. Raw copies are inexpensive and easy to source in any grade, while a graded 9.8 slab holds modest appeal for census-chasers and high-grade completists rather than broad investment demand. It is a solid, unremarkable addition to a Fantastic Four collection, valuable chiefly as part of the larger Pacheco-to-Waid transitional stretch of the character's history.
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