Approximate
Condition Profile
MARVEL COMICS · 11/95 · DIRECT EDITION
UNIT ECA-014190
FANTASTIC FOUR #406
Fantastic Four returns from the Age of Apocalypse fallout in a routine mid-1990s direct-market issue
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | November 1995 | Modern | Direct Edition | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-014190 | ~9.2 | Direct Edition | AVAILABLE |
| ECA-014192 | ~9.2 | Direct Edition | AVAILABLE |
| ECA-014194 | ~9.2 | Direct Edition | AVAILABLE |
// Run position
// Condition analysis
Cover displays strong gloss and sharp corners with no visible creasing or color breaks; spine appears tight with no stress lines visible in this photo. There is a faint diagonal crease/bend near the top left of the cover close to the logo that should be noted. The book is in a protective sleeve which limits full assessment of edges. Interior pages and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $1 | |
| MID_RAW | 4.0 – 6.0 | $4 | |
| HIGH_CERT | 9.8 SLAB | $40 |
// Archive commentary
Fantastic Four #406 (November 1995) arrived during Tom DeFalco's run on the title, with art by Paul Ryan, as the team dealt with the narrative aftermath of the "Age of Apocalypse" crossover event. The issue is a standard chapter in the ongoing series continuity, featuring the core lineup of Mister Fantastic, Invisible Woman, Human Torch, and the Thing, without introducing any new characters, deaths, or storylines that later became touchstones for the franchise.
Market data reflects the issue's status as a low-demand mid-1990s direct-market comic: census population is thin across all grades, sales are scarce even at the top end, and fair market values remain modest even for a 9.8 Universal slab. The pricing curve is flat and unremarkable, consistent with a comic that was overproduced relative to collector interest and has not developed a dedicated aftermarket beyond completists building full-run sets of the title.
This issue trades as a bulk or long-box book in raw grades, of interest primarily to Fantastic Four completists filling out 1990s runs rather than to speculative buyers. Even in top certified grade, demand is driven by scarcity of submissions rather than character or story significance, and pricing is unlikely to move meaningfully absent a new appearance or creative work that retroactively elevates the issue's importance.
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