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Fantastic Four #396 front cover
~9.2 AI-Estimated
Approximate
Condition Profile
FANTASTIC FOUR #396
MARVEL COMICS · 1/95 · DIRECT EDITION
UNIT ECA-014124

FANTASTIC FOUR #396

Tom DeFalco and Paul Ryan-era Fantastic Four, a routine chapter in the mid-1990s run

SIG 2/10 Available

// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics January 1995 Modern Direct Edition AVAILABLE

// Copies in archive

UnitGradeVariantStatus
ECA-014120 ~9.2 Direct Edition AVAILABLE
ECA-014122 ~9.2 Direct Edition AVAILABLE
ECA-014124 ~9.2 Direct Edition AVAILABLE
DATA SOURCES GoCollect ↗

// Run position

Part of an unbroken run · #386–#411 · 26 issues View all 38 available issues of FANTASTIC FOUR →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Cover shows strong gloss with sharp, square corners and no visible spine ticks or stress lines. There is a faint horizontal crease/line visible across the upper portion of the cover near the title logo area, and the book is housed in a protective sleeve which limits full assessment of edges. No noticeable color breaks, creases, or staining are visible; back cover and interior were not assessed.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal · no market comps found — era-based estimate
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $2
MID_RAW 4.0 – 6.0 $4
HIGH_CERT 9.8 SLAB $55

// Archive commentary

Fantastic Four #396 is a January 1995 direct-market issue from the long Tom DeFalco/Paul Ryan creative stretch that carried the title through much of the early-to-mid 1990s. By this point the team had settled into a stable creative rhythm, with DeFalco scripting ongoing subplots involving the extended Richards family and the shifting rogues' gallery that populated the book leading toward its 400th-issue milestone. Paul Ryan's pencils, a hallmark of the era, give the issue the clean, traditional superhero look that defined Fantastic Four through this period.

The issue carries no first appearances, deaths, or other events that price guides or collector consensus treat as landmark moments, and it has not attracted premium attention in the secondary market. Its commercial profile is that of a common direct-edition Marvel comic from a high-print-run era: plentiful raw copies remain in circulation, and demand is driven almost entirely by series completists rather than character-specific or event-specific collectors. Modern Age Fantastic Four issues from this stretch generally trade near cover price in raw form regardless of story content.

This is a book most often picked up to fill a run rather than sought out on its own merits. Readers assembling the DeFalco/Ryan Fantastic Four in long boxes or short boxes will encounter it as a matter of course, and it turns up regularly and inexpensively in back-issue bins and online lots. Graded copies see modest premiums mainly from slab collectors pursuing high-census numbers on an otherwise unremarkable issue, with little further upside expected beyond that niche.

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