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Fantastic Four #268 front cover

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~5.5 AI-Estimated
Approximate
Condition Profile
FANTASTIC FOUR #268
MARVEL COMICS · 7/84 · DIRECT EDITION
UNIT ECA-039748

FANTASTIC FOUR #268

John Byrne's retrospective origin issue for the Fantastic Four's 25th anniversary lead-up

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// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics July 1984 Copper Direct Edition — LISTED ON EBAY

// Copies in archive

UnitGradeVariantStatus
ECA-027857 ~9.0 Direct Edition LISTED ON EBAY ↗ (opens eBay in a new tab)
ECA-039748 ~5.5 Direct Edition LISTED ON EBAY ↗ (opens eBay in a new tab)

// Run position

Part of an unbroken run · #70–#319 · 250 issues View all 361 available issues of FANTASTIC FOUR →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Graded at 5.5 (FN-) on 2026-11-04, from new photos taken out of the sleeve: front and back. About a dozen color-breaking ticks along the spine, the longest near a quarter inch. Two dull gray-green patches in the dark art at the lower right of the front, each about an inch across. Small color-breaking crease at the front's lower right corner. Short curved crease at the back's top spine corner, with a small break at the spine edge just below it. Slim cream line along the front's top and right edges.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $1
MID_RAW 4.0 – 6.0 $5
HIGH_CERT 9.8 SLAB $120

// Archive commentary

Fantastic Four #268 (July 1984) arrived during John Byrne's celebrated run as writer, penciler, and inker, and stands as a self-contained "Interlude" issue retelling the team's earliest days through Sue Storm's perspective. Rather than advancing the ongoing Skrull and Fantastic Four subplots of the surrounding arc, Byrne used the issue to revisit the team's 1961 origin with contemporary art and characterization, tying directly into the franchise's approaching 25th anniversary. It is a widely read example of Byrne's meticulous continuity work on the title rather than a first appearance or origin of a new character.

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