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Fantastic Four #265 front cover

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~9.0 AI-Estimated
Approximate
Condition Profile
FANTASTIC FOUR #265
MARVEL COMICS · 4/84 · DIRECT EDITION
UNIT ECA-027866

FANTASTIC FOUR #265

She-Hulk joins the Fantastic Four in John Byrne's celebrated Copper Age run

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// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics April 1984 Copper Direct Edition She-Hulk (Jennifer Walters) officially joins the Fantastic Four as a full member, replacing the Thing, who remains on Battleworld following the events of Secret Wars; written, penciled, and inked by John Byrne LISTED ON EBAY

// Copies in archive

UnitGradeVariantStatus
ECA-027866 ~9.0 Direct Edition LISTED ON EBAY ↗ (opens eBay in a new tab)

// Run position

Part of an unbroken run · #70–#319 · 250 issues View all 361 available issues of FANTASTIC FOUR →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Graded at 9.0 (VF/NM) on 2026-11-04, from new photos taken out of the sleeve: front and back. Cover clean and glossy with no color-breaking ticks along the spine. Corners sharp. Thin pale line along the upper right edge of the front. Back cover clean.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $4
MID_RAW 4.0 – 6.0 $9
HIGH_CERT 9.8 SLAB $60

// Archive commentary

Fantastic Four #265 (April 1984) arrives at the midpoint of John Byrne's influential run as writer, penciler, and inker on the title, a stretch widely regarded as one of the most creatively cohesive periods in the book's history. The issue is best known for a significant roster shift: following the events of the concurrent Secret Wars, the Thing elects to remain behind on Battleworld, and Jennifer Walters, the She-Hulk, is brought in as his replacement, officially joining the Fantastic Four as a full member. It marks a rare and memorable lineup change for one of Marvel's flagship teams, executed with Byrne's characteristic attention to character dynamics and visual storytelling.

The market data reflects a book with a large certified population, over 300 CGC Universal copies on census, and correspondingly modest baseline values across most grades, with sales thin to nonexistent in the low and mid-grade tiers. Demand concentrates at the top of the grade spectrum, where the recent uptick in 90-day pricing well above the standing FMV points to renewed collector interest, plausibly connected to She-Hulk's increased visibility in film and streaming media over the past several years. This pattern, common commons at the bottom, sharp premiums at 9.8, is typical of well-preserved 1980s direct-market issues where high-grade survival is common but true gem copies remain a small fraction of the census.

Collecting interest in this issue comes from two overlapping bases: completists pursuing Byrne's acclaimed Fantastic Four run, and the broader and growing pool of She-Hulk collectors drawn to her team-roster milestones rather than her original 1980 debut. Raw copies in low and mid grades are inexpensive and plentiful, making the book an accessible entry point, while CGC 9.8 examples command a real premium and appear to be trending upward as demand outpaces the still-limited top-grade supply. It is a book that trades modestly in bulk but rewards patience and grade-chasing at the high end.

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