Approximate
Condition Profile
MARVEL COMICS · 8/80 · NEWSSTAND
UNIT ECA-027998
FANTASTIC FOUR #221
Fantastic Four #221 – John Byrne art on Marvel's First Family, August 1980
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | August 1980 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-027998 | ~8.5 | Newsstand | AVAILABLE |
| ECA-039606 | ~8.5 | Newsstand | AVAILABLE |
| ECA-039364 | ~8.0 | Newsstand | AVAILABLE |
| ECA-039327 | ~7.0 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and vibrant color with sharp corners and no visible creasing or spine stress lines. Slight surface sheen from the protective sleeve may be masking minor wear; a faint hint of edge wear is visible at the bottom right corner. Book is bagged, so spine stress ticks and back cover condition could not be fully assessed; interior pages were not examined.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $6 | |
| HIGH_CERT | 9.8 SLAB | $85 |
// Archive commentary
Fantastic Four #221 arrived in August 1980, part of the title's long Bronze Age stretch featuring John Byrne on pencils, a run that would soon make him the book's defining creative voice as writer-artist. At this point in the series Byrne was illustrating scripts by Doug Moench, with Joe Sinnott's inks lending the pages their familiar, polished Marvel house finish. The issue falls within Marvel's flagship superhero team title, continuing the adventures of Reed Richards, Sue Richards, Johnny Storm, and Ben Grimm as they contend with the era's rotating cast of cosmic and street-level threats.
This is a mid-run issue from a lengthy and heavily collected series, but it carries no first appearance, death, or other landmark event that price guides or collector consensus single out as historically pivotal. Demand for the issue is driven almost entirely by fans assembling a complete run of the Byrne Fantastic Four era or general Bronze Age Marvel readers, rather than by any speculative or key-issue interest. As with most non-key issues from this period, it trades at levels close to original cover price in raw form.
Collectors of this book tend to be series completists and long-box browsers rather than investors, and it circulates primarily through back-issue bins, quarter boxes, and online bulk listings rather than featured auction lots. Raw copies in any condition remain inexpensive and easy to source, while a high-grade certified slab appeals mainly to those pursuing a fully-graded run of the title rather than buyers chasing rarity or key status.
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