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Fantastic Four #219 front cover

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~8.0 AI-Estimated
Approximate
Condition Profile
FANTASTIC FOUR #219
MARVEL COMICS · 6/80 · NEWSSTAND
UNIT ECA-028004

FANTASTIC FOUR #219

Fantastic Four battles the Sphinx in a late Byrne-art Bronze Age issue

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// Unit specification

PublisherCover dateEraVariantKey attributeStatus
Marvel Comics June 1980 Bronze Newsstand — LISTED ON EBAY

// Copies in archive

// Run position

Part of an unbroken run · #70–#319 · 250 issues View all 361 available issues of FANTASTIC FOUR →

// Condition analysis

⚠ AI-Estimated / Approximate Condition Profile

Graded at 8.0 (VF) on 2026-11-03, from new photos taken out of the sleeve: front, back and interior page. Narrow white band beside the lower spine from an off-center wrap. Small tan spot in the top-left corner box. Bottom-left spine corner slightly bumped. Cream to tan pages.

// Valuation — market reference

⚠ AI-Estimated values — approximate, not an appraisal
BracketGradeEst. market valueMarker
LOW_RAW 0.5 – 1.5 $4
MID_RAW 4.0 – 6.0 $9
HIGH_CERT 9.8 SLAB $85

// Archive commentary

Fantastic Four #219 arrived in June 1980 during John Byrne's tenure as series penciler, working alongside writer Marv Wolfman and inker Joe Sinnott, several issues before Byrne assumed full writing duties at #232. The story finds Marvel's First Family contending with the ancient, power-mad Sphinx, a villain whose scope and menace gave Byrne ample opportunity to flex the kinetic, detail-rich artwork that would define his run. The issue is emblematic of the workmanlike but visually strong Fantastic Four output of this period, sitting between more heavily documented Byrne-written arcs.

Market data on this issue is thin, with only a single certified sale recorded and no CGC 9.8 ever graded, reflecting its status as a well-regarded but non-key entry in the run. Demand centers on completists building out the Byrne pencil era and Fantastic Four run collectors rather than speculators chasing a first appearance or landmark event. Prices track general Bronze Age Marvel non-key trends, with the book's low sales volume suggesting a narrow but steady collector base rather than broad crossover interest.

This is a book for series completists and Byrne-art enthusiasts rather than key-issue investors. Raw copies in lower grades remain inexpensive reading or filler-run material, while mid-grade raw copies serve shelf-building collectors assembling a complete Fantastic Four Bronze Age run. High-grade certified copies, though rare on the census, would likely attract modest premiums from Byrne art collectors rather than aggressive bidding, given the absence of a first appearance, death, or landmark story beat to anchor broader demand.

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