Approximate
Condition Profile
MARVEL COMICS · 3/79 · NEWSSTAND
UNIT ECA-039584
FANTASTIC FOUR #204
Marv Wolfman scripts a late-1970s Fantastic Four issue with art by Keith Pollard and Al Milgrom
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | March 1979 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-028049 | ~9.2 | Newsstand | AVAILABLE |
| ECA-039594 | ~8.5 | Newsstand | AVAILABLE |
| ECA-039584 | ~8.0 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and bright colors with sharp corners and no visible creases or color breaks. There is minor edge wear along the top and right border and slight softness at the bottom left corner. The UPC barcode box confirms newsstand edition, and the book is sealed in a protective sleeve which limits full assessment of spine stress. Interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $3 | |
| MID_RAW | 4.0 – 6.0 | $8 | |
| HIGH_CERT | 9.8 SLAB | $110 |
// Archive commentary
Fantastic Four #204 arrived in March 1979 as part of the title's extended late-1970s creative stretch under writer and editor Marv Wolfman, with penciling chores shared between Keith Pollard and Al Milgrom and inks by longtime Fantastic Four veteran Joe Sinnott, who also finished the cover. The issue is populated by an eclectic mix of supporting cast members, including Agatha Harkness, Alicia Masters, Jarvis, Frankie Raye, and Franklin Richards, alongside Human Torch and Invisible Woman, reflecting the soap-opera texture that characterized the book's stories during this period. It carries no first appearance, death, or other landmark event and is not cited as a key issue in standard price guides.
Market data shows a large certified population, with 222 Universal copies recorded out of 233 total graded, and steady if modest sales activity across the grade spectrum. Values remain flat through the mid grades before rising toward the top of the census, with CGC 9.8 copies trading in the low three-figure range on consistent demand from Fantastic Four run-builders and completists. There is no evidence of speculative or spiking interest; sales volume and pricing across grades point to a book valued mainly for its place in a long, well-regarded creative run rather than for any singular event within its pages.
This issue suits collectors assembling a complete run of Wolfman-era Fantastic Four or fans of the Pollard/Milgrom/Sinnott art team, rather than key-issue investors. Raw copies in low and mid grades trade cheaply and are readily available, while CGC 9.8 examples command a premium disproportionate to lower grades, consistent with the scarcity of true gem-mint survivors among a large graded population. Expect steady, unspectacular demand driven by long-term Fantastic Four collectors rather than short-term market activity.
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