Approximate
Condition Profile
MARVEL COMICS · 12/78 · NEWSSTAND
UNIT ECA-028058
FANTASTIC FOUR #201
Marv Wolfman and Keith Pollard continue the Fantastic Four's late-1970s run, featuring Quasimodo
// Unit specification
| Publisher | Cover date | Era | Variant | Key attribute | Status |
|---|---|---|---|---|---|
| Marvel Comics | December 1978 | Bronze | Newsstand | — | AVAILABLE |
// Copies in archive
| Unit | Grade | Variant | Status |
|---|---|---|---|
| ECA-028058 | ~8.5 | Newsstand | AVAILABLE |
| ECA-039451 | ~8.5 | Newsstand | AVAILABLE |
// Run position
// Condition analysis
Cover shows strong gloss and bright color with sharp corners and no visible creases or tears. There is a small vertical line/crease near the left barcode area and a faint scuff near the bottom left edge, along with minor edge wear at the top right corner. The book is in a protective sleeve, which limits full assessment of spine stress and surface sheen; interior and back cover were not assessed.
// Valuation — market reference
| Bracket | Grade | Est. market value | Marker |
|---|---|---|---|
| LOW_RAW | 0.5 – 1.5 | $2 | |
| MID_RAW | 4.0 – 6.0 | $5 | |
| HIGH_CERT | 9.8 SLAB | $120 |
// Archive commentary
Fantastic Four #201 arrived in December 1978 as part of Marv Wolfman's extended writing stint on the title, with Keith Pollard providing pencils and covers over Joe Sinnott's veteran inks. The issue brings back Quasimodo, the sentient-computer villain introduced years earlier in the Lee/Kirby era, here reworked into a supporting antagonist role alongside the recurring Zorba Fortunov subplot. The creative lineup, including colorist Francoise Mouly and letterer John Costanza, reflects the reliable Bullpen craftsmanship typical of Marvel's late-1970s output, but the story itself introduces no new characters and marks no origin, first appearance, or landmark creative turning point for the team.
Market data shows a book that circulates almost entirely on the strength of high-grade certified copies rather than broad collector demand. Sales activity clusters at 9.4 and above, with a meaningful jump in both price and turnover at 9.8, where thirty-one certified sales support a firm ceiling near the current FMV. Mid and low grades show sparse to nonexistent sale records, indicating that raw copies move quietly through back-issue bins and online lots rather than commanding active bidding.
This is a completion-run title for Fantastic Four collectors filling out the Wolfman/Pollard era rather than a standalone target for key-issue buyers. Lower and mid-grade raw copies remain inexpensive and plentiful, suited to readers or FF run-builders, while the CGC 9.8 population draws modest premium interest from census-chasers and registry collectors seeking a clean, unrestored example of a well-illustrated but ultimately minor entry in the series.
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