FANTASTIC FOUR #195

Cover shows moderate general wear consistent with a well-read newsstand copy: mild spine stress with slight whitening at the top and bottom spine areas, softened corners, and light surface scuffing across the color. A handwritten price/grade note in grease pencil is visible in the lower right corner of the cover, which is a condition-affecting addition. No major creases, tears, or color breaks are apparent, and the cover retains good gloss overall, though the book is in a protective sleeve which may obscure some finer surface detail. Interior pages and back cover were not visible and were not assessed.

Fantastic Four #195 arrived in mid-1978 under the Marv Wolfman and Keith Pollard creative run, pairing the team with two of its most enduring antagonists, Doctor Doom and Namor the Sub-Mariner, alongside the reality-warping Impossible Man and a brood of his offspring. Pablo Marcos inks Pollard's pencils, giving the book a solid if unremarkable entry in the long Fantastic Four bibliography of the era. It is a standard newsstand cover-dated issue with no first appearances, deaths, or creator milestones that collectors single out as historically pivotal.

Market activity reflects a well-populated mid-Bronze-Age title: census figures show over 150 certified copies and a healthy sales history at the top grades, with 9.8 copies trading in the low three figures on the strength of steady demand for near-mint Fantastic Four material rather than for this specific issue's content. Values drop off quickly moving down the grade scale, flattening into modest double digits by the 6.0 range, typical of a common, easily found back-issue rather than a sought-after key.

This is a book for Fantastic Four run collectors and Bronze Age completists rather than key-issue investors. Raw copies move steadily but cheaply through back-issue bins and online lots, while CGC 9.8 slabs draw modest premiums from grade-chasers assembling a high-grade run of the Wolfman/Pollard era. Expect flat, low-volatility trading across all grades, with value driven almost entirely by condition scarcity at the top of the census rather than by any inherent collector demand for the issue itself.